A Large Tree 1615-73 Salvator Rosa Italian Of his myriad achievements as an artist and man of letters, the brilliant and moody Salvator Rosa's contributions to the increasingly popular genre of landscape in the seventeenth century loom large. This spirited drawing of a towering, gnarled tree, its dense matrix of branches and leaves rendered in careful detail, is exceptional not only for its monumental scale but also for its exclusive focus on a single specimen: divorced from any narrative context, the tree is also isolated from a broader landscape-the arboreal equivalent of a solitary, standing figure. An early work by Rosa, the drawing is iconic of his lifelong fascination with the haunting power and majesty of landscape. While it may well have been executed with no particular purpose in mind, a possible function, though conjectural, is worth considering: one of Rosa's most accomplished and masterful etchings, The Rescue of the Infant Oedipus, is a technical tour de force due to the m

A Large Tree 1615-73 Salvator Rosa Italian Of his myriad achievements as an artist and man of letters, the brilliant and moody Salvator Rosa's contributions to the increasingly popular genre of landscape in the seventeenth century loom large. This spirited drawing of a towering, gnarled tree, its dense matrix of branches and leaves rendered in careful detail, is exceptional not only for its monumental scale but also for its exclusive focus on a single specimen: divorced from any narrative context, the tree is also isolated from a broader landscape-the arboreal equivalent of a solitary, standing figure. An early work by Rosa, the drawing is iconic of his lifelong fascination with the haunting power and majesty of landscape. While it may well have been executed with no particular purpose in mind, a possible function, though conjectural, is worth considering: one of Rosa's most accomplished and masterful etchings, The Rescue of the Infant Oedipus, is a technical tour de force due to the m
SuperStock offers millions of photos, videos, and stock assets to creatives around the world. This image of A Large Tree 1615-73 Salvator Rosa Italian Of his myriad achievements as an artist and man of letters, the brilliant and moody Salvator Rosa's contributions to the increasingly popular genre of landscape in the seventeenth century loom large. This spirited drawing of a towering, gnarled tree, its dense matrix of branches and leaves rendered in careful detail, is exceptional not only for its monumental scale but also for its exclusive focus on a single specimen: divorced from any narrative context, the tree is also isolated from a broader landscape-the arboreal equivalent of a solitary, standing figure. An early work by Rosa, the drawing is iconic of his lifelong fascination with the haunting power and majesty of landscape. While it may well have been executed with no particular purpose in mind, a possible function, though conjectural, is worth considering: one of Rosa's most accomplished and masterful etchings, The Rescue of the Infant Oedipus, is a technical tour de force due to the m by Piemags/PL Photography Limited is available for licensing today.
Royalty Free License
Royalty-Free Standard Commercial licenses are granted for worldwide, non-exclusive and perpetual use, unless specifically noted otherwise. All Royalty-Free transactions are final. The Royalty-Free Standard Commercial license has no limitations and covers up to 15 users.
  • $50.00 Low348 X 500
  • $150.00 Med1325 X 1904
  • Download your images from the download tab on this page after purchase.
  • Up to 5 downloads
  • Can be used for a year after purchase.
$560.00
RF Medium Res 5 Pack
Save $190.00
$112.00
per download
Order a Framed Print
Looking for a license?
Click here, and we'll help you find it! Questions? Just ask!
DETAILS
Image Number: 6145-29789994Royalty FreeCredit Line:Piemags/PL Photography Limited/SuperStockCollection:PL Photography LimitedContributor:PiemagsModel Release:NoProperty Release:NoResolution:1325×1904
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|