Landscape left of a triptych of White-Robed Kannon with Landscapes, late 15th century, attributed to Kenkō Shōkei, Japanese, active before 1478-ca. 1523, 38 3/8 × 12 13/16 in. (97.47 × 32.54 cm) (image)69 1/8 × 17 1/8 in. (175.58 × 43.5 cm) (without roller), Ink and color on paper, Japan, 15th century, Buddhist monks, particularly those of the Zen school, were devoted landscape painters. Like calligraphy, painting was considered part of the spiritual training necessary for enlightenment. Zen monks favored monochrome ink painting due to its simplicity and straightforwardness. The priest Kenkō Shōkei, who served as secretary at Kenchōji Temple in Kamakura, studied Chinese paintings from the Song (960-1279) and Yuan (1279-1368) dynasties and became a key figure in the ink-painting circles of Japan

Landscape left of a triptych of White-Robed Kannon with Landscapes, late 15th century, attributed to Kenkō Shōkei, Japanese, active before 1478-ca. 1523, 38 3/8 × 12 13/16 in. (97.47 × 32.54 cm) (image)69 1/8 × 17 1/8 in. (175.58 × 43.5 cm) (without roller), Ink and color on paper, Japan, 15th century, Buddhist monks, particularly those of the Zen school, were devoted landscape painters. Like calligraphy, painting was considered part of the spiritual training necessary for enlightenment. Zen monks favored monochrome ink painting due to its simplicity and straightforwardness. The priest Kenkō Shōkei, who served as secretary at Kenchōji Temple in Kamakura, studied Chinese paintings from the Song (960-1279) and Yuan (1279-1368) dynasties and became a key figure in the ink-painting circles of Japan
SuperStock offers millions of photos, videos, and stock assets to creatives around the world. This image of Landscape left of a triptych of White-Robed Kannon with Landscapes, late 15th century, attributed to Kenkō Shōkei, Japanese, active before 1478-ca. 1523, 38 3/8 × 12 13/16 in. (97.47 × 32.54 cm) (image)69 1/8 × 17 1/8 in. (175.58 × 43.5 cm) (without roller), Ink and color on paper, Japan, 15th century, Buddhist monks, particularly those of the Zen school, were devoted landscape painters. Like calligraphy, painting was considered part of the spiritual training necessary for enlightenment. Zen monks favored monochrome ink painting due to its simplicity and straightforwardness. The priest Kenkō Shōkei, who served as secretary at Kenchōji Temple in Kamakura, studied Chinese paintings from the Song (960-1279) and Yuan (1279-1368) dynasties and became a key figure in the ink-painting circles of Japan by Artokoloro is available for licensing today.
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Image Number: 4443-28727647Rights ManagedCredit Line:Artokoloro/SuperStockCollection:ArtokoloroModel Release:NoProperty Release:NoResolution:3376×9745
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