Landscape. Artist: Shitao (Zhu Ruoji) (Chinese, 1642-1707). Culture: China. Dimensions: 6 7/8 x 17 1/2 in. (17.5 x 44.5 cm). Date: dated 1699.In the inscription on this fan, Shitao sets forth his theory of painting, "the single stroke," or "the painting of oneness (yihua)":On a windy, rainy, spring day, I am happy I have no visitors; my hand is free, my mind relaxed and cleansed. The ancients called it yihua, the "single stroke": a thousand hills, ten thousand valleys, people, bamboo, trees,a single brushstroke and all is completed. On one level, yihua constitutes a very practical concept: a complete design begins and finishes with the single brushstroke. On a metaphysical level, it suggests that "myriad strokes are reunited in oneness" through the mind and hand of the artist and through the artist's spiritual communion with nature. Museum: Metropolitan Museum of Art, New York, USA.

Landscape. Artist: Shitao (Zhu Ruoji) (Chinese, 1642-1707). Culture: China. Dimensions: 6 7/8 x 17 1/2 in. (17.5 x 44.5 cm). Date: dated 1699.In the inscription on this fan, Shitao sets forth his theory of painting, "the single stroke," or "the painting of oneness (yihua)":On a windy, rainy, spring day, I am happy I have no visitors; my hand is free, my mind relaxed and cleansed. The ancients called it yihua, the "single stroke": a thousand hills, ten thousand valleys, people, bamboo, trees,a single brushstroke and all is completed. On one level, yihua constitutes a very practical concept: a complete design begins and finishes with the single brushstroke. On a metaphysical level, it suggests that "myriad strokes are reunited in oneness" through the mind and hand of the artist and through the artist's spiritual communion with nature. Museum: Metropolitan Museum of Art, New York, USA.
SuperStock offers millions of photos, videos, and stock assets to creatives around the world. This image of Landscape. Artist: Shitao (Zhu Ruoji) (Chinese, 1642-1707). Culture: China. Dimensions: 6 7/8 x 17 1/2 in. (17.5 x 44.5 cm). Date: dated 1699.In the inscription on this fan, Shitao sets forth his theory of painting, "the single stroke," or "the painting of oneness (yihua)":On a windy, rainy, spring day, I am happy I have no visitors; my hand is free, my mind relaxed and cleansed. The ancients called it yihua, the "single stroke": a thousand hills, ten thousand valleys, people, bamboo, trees,a single brushstroke and all is completed. On one level, yihua constitutes a very practical concept: a complete design begins and finishes with the single brushstroke. On a metaphysical level, it suggests that "myriad strokes are reunited in oneness" through the mind and hand of the artist and through the artist's spiritual communion with nature. Museum: Metropolitan Museum of Art, New York, USA. by Album/Metropolitan Museum of Art, NY/Album Archivo is available for licensing today.
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Image Number: 4409-17398862Rights ManagedCredit Line:Album/Metropolitan Museum of Art, NY/Album Archivo/SuperStockCollection:Album ArchivoContributor:Album / Metropolitan Museum of Art, NYModel Release:NoProperty Release:NoResolution:4728×2286
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