La Pietà, from "L'Illustration" August 29, 1863 Eugène Delacroix Published just two weeks after the death of Delacroix, this print is described as the artist's "last drawing on wood." Customarily, to make a wood engraving, an artist would supply a drawing on paper to be translated by another hand onto the wood block, before being engraved by yet another practitioner. By drawing directly onto the wood himself, Delacroix believed the medium could serve as an outlet for the direct expression of his thought. This composition corresponds more closely with Delacroix's first oil sketch (private collection) for his Pietà than the final mural executed in Saint-Denys-du-Saint-Sacrement, which does not include the angels and reverses the figural group.. La Pietà, from "L'Illustration". Eugène Delacroix (French, Charenton-Saint-Maurice 1798-1863 Paris). August 29, 1863. Wood engraving. Alexandre Pothey (French, 1820-1897). Prints

La Pietà, from "L'Illustration" August 29, 1863 Eugène Delacroix Published just two weeks after the death of Delacroix, this print is described as the artist's "last drawing on wood." Customarily, to make a wood engraving, an artist would supply a drawing on paper to be translated by another hand onto the wood block, before being engraved by yet another practitioner. By drawing directly onto the wood himself, Delacroix believed the medium could serve as an outlet for the direct expression of his thought. This composition corresponds more closely with Delacroix's first oil sketch (private collection) for his Pietà than the final mural executed in Saint-Denys-du-Saint-Sacrement, which does not include the angels and reverses the figural group.. La Pietà, from "L'Illustration". Eugène Delacroix (French, Charenton-Saint-Maurice 1798-1863 Paris). August 29, 1863. Wood engraving. Alexandre Pothey (French, 1820-1897). Prints
SuperStock offers millions of photos, videos, and stock assets to creatives around the world. This image of La Pietà, from "L'Illustration" August 29, 1863 Eugène Delacroix Published just two weeks after the death of Delacroix, this print is described as the artist's "last drawing on wood." Customarily, to make a wood engraving, an artist would supply a drawing on paper to be translated by another hand onto the wood block, before being engraved by yet another practitioner. By drawing directly onto the wood himself, Delacroix believed the medium could serve as an outlet for the direct expression of his thought. This composition corresponds more closely with Delacroix's first oil sketch (private collection) for his Pietà than the final mural executed in Saint-Denys-du-Saint-Sacrement, which does not include the angels and reverses the figural group.. La Pietà, from "L'Illustration". Eugène Delacroix (French, Charenton-Saint-Maurice 1798-1863 Paris). August 29, 1863. Wood engraving. Alexandre Pothey (French, 1820-1897). Prints by Piemags/PL Photography Limited is available for licensing today.
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Image Number: 6145-29201730Royalty FreeCredit Line:Piemags/PL Photography Limited/SuperStockCollection:PL Photography LimitedContributor:PiemagsModel Release:NoProperty Release:NoResolution:3795×2657
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