La Citella Romana (Maiden). Artist: Attributed to Pietro Bertelli (Italian, active Padua, ca. 1571-1621). Dimensions: Sheet: 9 x 6 3/16 in. (22.9 x 15.7 cm). Date: ca. 1580.These engravings illustrating the costumes of Roman women from different stations of life recall the more ambitious series by Cesare Vecellio and Giacomo Franco devoted to Venetian customs and modes of attire. Similar to those examples, these prints were likely created as book illustrations, though the enterprising Bertelli was known to reuse his inventions in a number of different contexts and formats.Courtesans were essentially cultivated prostitutes. The presence of one of them (plate 6) among the cast of otherwise "honest" women reflects the reality that courtesans were a staple in sixteenth-century society, their intractable presence either rued or tolerated depending on the prevailing moral and religious climate of the day. It is interesting that Bertelli's courtesan, like those of Franco, Vecellio, and Giul

La Citella Romana (Maiden). Artist: Attributed to Pietro Bertelli (Italian, active Padua, ca. 1571-1621). Dimensions: Sheet: 9 x 6 3/16 in. (22.9 x 15.7 cm). Date: ca. 1580.These engravings illustrating the costumes of Roman women from different stations of life recall the more ambitious series by Cesare Vecellio and Giacomo Franco devoted to Venetian customs and modes of attire. Similar to those examples, these prints were likely created as book illustrations, though the enterprising Bertelli was known to reuse his inventions in a number of different contexts and formats.Courtesans were essentially cultivated prostitutes. The presence of one of them (plate 6) among the cast of otherwise "honest" women reflects the reality that courtesans were a staple in sixteenth-century society, their intractable presence either rued or tolerated depending on the prevailing moral and religious climate of the day. It is interesting that Bertelli's courtesan, like those of Franco, Vecellio, and Giul
SuperStock offers millions of photos, videos, and stock assets to creatives around the world. This image of La Citella Romana (Maiden). Artist: Attributed to Pietro Bertelli (Italian, active Padua, ca. 1571-1621). Dimensions: Sheet: 9 x 6 3/16 in. (22.9 x 15.7 cm). Date: ca. 1580.These engravings illustrating the costumes of Roman women from different stations of life recall the more ambitious series by Cesare Vecellio and Giacomo Franco devoted to Venetian customs and modes of attire. Similar to those examples, these prints were likely created as book illustrations, though the enterprising Bertelli was known to reuse his inventions in a number of different contexts and formats.Courtesans were essentially cultivated prostitutes. The presence of one of them (plate 6) among the cast of otherwise "honest" women reflects the reality that courtesans were a staple in sixteenth-century society, their intractable presence either rued or tolerated depending on the prevailing moral and religious climate of the day. It is interesting that Bertelli's courtesan, like those of Franco, Vecellio, and Giul by Album/Metropolitan Museum of Art, NY/Album Archivo is available for licensing today.
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Image Number: 4409-17389534Rights ManagedCredit Line:Album/Metropolitan Museum of Art, NY/Album Archivo/SuperStockCollection:Album ArchivoContributor:Album / Metropolitan Museum of Art, NYModel Release:NoProperty Release:NoResolution:2773×3995
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