A Knight of Alcántara or Calatrava ca. 1650-55 Bartolomé Estebán Murillo Spanish This is thought to be the earliest full-length portrait by Murillo, a Sevillian artist more often associated with genre and religious subjects. Executed before he had developed the softly blended technique of his later paintings, the dramatic lighting and planar colors are associated with Murillos older contemporary, Zubarán. In the nineteenth century, the sitter was mistakenly identified as Don Pedro Núñez de Villavicencio (1640-ca. 1695), whose passion for painting led him to study with both Murillo and Mattia Preti; scholars are still debating the sitters true identity.. A Knight of Alcántara or Calatrava. Bartolomé Estebán Murillo (Spanish, Seville 1617-1682 Seville). ca. 1650-55. Oil on canvas. Paintings

Brand: PL Photography Limited
SKU: 6145-29804679
Availability: InStock

A Knight of Alcántara or Calatrava ca. 1650-55 Bartolomé Estebán Murillo Spanish This is thought to be the earliest full-length portrait by Murillo, a Sevillian artist more often associated with genre and religious subjects. Executed before he had developed the softly blended technique of his later paintings, the dramatic lighting and planar colors are associated with Murillos older contemporary, Zubarán. In the nineteenth century, the sitter was mistakenly identified as Don Pedro Núñez de Villavicencio (1640-ca. 1695), whose passion for painting led him to study with both Murillo and Mattia Preti; scholars are still debating the sitters true identity.. A Knight of Alcántara or Calatrava. Bartolomé Estebán Murillo (Spanish, Seville 1617-1682 Seville). ca. 1650-55. Oil on canvas. Paintings

SuperStock offers millions of photos, videos, and stock assets to creatives around the world. This image of A Knight of Alcántara or Calatrava ca. 1650-55 Bartolomé Estebán Murillo Spanish This is thought to be the earliest full-length portrait by Murillo, a Sevillian artist more often associated with genre and religious subjects. Executed before he had developed the softly blended technique of his later paintings, the dramatic lighting and planar colors are associated with Murillos older contemporary, Zubarán. In the nineteenth century, the sitter was mistakenly identified as Don Pedro Núñez de Villavicencio (1640-ca. 1695), whose passion for painting led him to study with both Murillo and Mattia Preti; scholars are still debating the sitters true identity.. A Knight of Alcántara or Calatrava. Bartolomé Estebán Murillo (Spanish, Seville 1617-1682 Seville). ca. 1650-55. Oil on canvas. Paintings by Piemags/PL Photography Limited is available for licensing today.

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