Kenji Morita 1886 Fujita Japanese When Japan opened its ports to the West in the 1850s, photographycalled shashin, literally, a copy of truthsoon became widely available. High-end professional salons and open-air studios operated by itinerant practitioners offered portraits at every price range. While the popularity of ambrotypes, a positive photograph on glass, was short-lived in the United States, Japanese ambrotypes were in demand from the early 1870s until the end of the nineteenth century. These two ambrotype portraits depict a dreamy-eyed, fourteen-year-old student and a barefoot geisha with her attendant. Housed in poetry-inscribed kiri-wood boxes, they provide an intimate and rare glimpse of how modern Japanese society represented itself.. Kenji Morita 285442
SuperStock offers millions of photos, videos, and stock assets to creatives around the world. This image of Kenji Morita 1886 Fujita Japanese When Japan opened its ports to the West in the 1850s, photographycalled shashin, literally, a copy of truthsoon became widely available. High-end professional salons and open-air studios operated by itinerant practitioners offered portraits at every price range. While the popularity of ambrotypes, a positive photograph on glass, was short-lived in the United States, Japanese ambrotypes were in demand from the early 1870s until the end of the nineteenth century. These two ambrotype portraits depict a dreamy-eyed, fourteen-year-old student and a barefoot geisha with her attendant. Housed in poetry-inscribed kiri-wood boxes, they provide an intimate and rare glimpse of how modern Japanese society represented itself.. Kenji Morita 285442 by Piemags/PL Photography Limited is available for licensing today.
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Image Number: 6145-29204186Royalty FreeCredit Line:Piemags/PL Photography Limited/SuperStockCollection:PL Photography Limited Contributor:Piemags Model Release:NoProperty Release:NoResolution:2999×4000
