Kama Aims His Bow at Radha: Page From a Dispersed Gita Govinda (Loves of Krishna) ca. 1695 India (Rajasthan, Mewar) Vegetation and architecture divide this painting into thirds. On the right sits Radha, refusing to be comforted. From the trees, Kama, the Hindu god of love, aims arrows at Radha's heart, while at the center, Radha's friend walks through the woods to bring Krishna (left) back to his lover. Paintings executed during the reign of Maharana Jai Singh (1680-98), like this one, tend to be executed more crudely and are more repetitive than earlier works. The maharana commissioned hundreds of paintings, and it is likely that his artists had to work quickly and with less refinement to keep up with his demands.. Kama Aims His Bow at Radha: Page From a Dispersed Gita Govinda (Loves of Krishna) 37911

Brand: PL Photography Limited
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Kama Aims His Bow at Radha: Page From a Dispersed Gita Govinda (Loves of Krishna) ca. 1695 India (Rajasthan, Mewar) Vegetation and architecture divide this painting into thirds. On the right sits Radha, refusing to be comforted. From the trees, Kama, the Hindu god of love, aims arrows at Radha's heart, while at the center, Radha's friend walks through the woods to bring Krishna (left) back to his lover. Paintings executed during the reign of Maharana Jai Singh (1680-98), like this one, tend to be executed more crudely and are more repetitive than earlier works. The maharana commissioned hundreds of paintings, and it is likely that his artists had to work quickly and with less refinement to keep up with his demands.. Kama Aims His Bow at Radha: Page From a Dispersed Gita Govinda (Loves of Krishna) 37911

SuperStock offers millions of photos, videos, and stock assets to creatives around the world. This image of Kama Aims His Bow at Radha: Page From a Dispersed Gita Govinda (Loves of Krishna) ca. 1695 India (Rajasthan, Mewar) Vegetation and architecture divide this painting into thirds. On the right sits Radha, refusing to be comforted. From the trees, Kama, the Hindu god of love, aims arrows at Radha's heart, while at the center, Radha's friend walks through the woods to bring Krishna (left) back to his lover. Paintings executed during the reign of Maharana Jai Singh (1680-98), like this one, tend to be executed more crudely and are more repetitive than earlier works. The maharana commissioned hundreds of paintings, and it is likely that his artists had to work quickly and with less refinement to keep up with his demands.. Kama Aims His Bow at Radha: Page From a Dispersed Gita Govinda (Loves of Krishna) 37911 by Piemags/PL Photography Limited is available for licensing today.

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