Jupiter and Astraea. Artist: Giulio Campi (Italian, Cremona 1502-1572). Dimensions: Sheet: 6 1/4 x 9 1/8 in. (15.9 x 23.1 cm). Date: ca. 1545-50.According to Ovid's 'Metamorphoses,' the most consulted mythological text in the Renaissance, when human wickedness forced the Gods to abandon the earthly realm, Astraea, the goddess of Justice, was the last to flee to the heavens where she transformed into the constellation Virgo. In Campi's drawing, Astraea, identified by an inscription at the lower right, Aestrit, is shown not with her scales but rather in an amorous embrace with Jupiter, who has taken the form of an eagle in order to seduce her. Jupiter was famous for the many guises he took to beguile his objects of desire, and this theme was popular in mid-sixteenth century Mantua in the circle of Duke Federico Gonzaga II. Campi's exquisite drawing was a preparatory study for a group of frescoes representing the many loves of Jupiter painted about 1545-50 for a small room in the Palazzo

Jupiter and Astraea. Artist: Giulio Campi (Italian, Cremona 1502-1572). Dimensions: Sheet: 6 1/4 x 9 1/8 in. (15.9 x 23.1 cm). Date: ca. 1545-50.According to Ovid's 'Metamorphoses,' the most consulted mythological text in the Renaissance, when human wickedness forced the Gods to abandon the earthly realm, Astraea, the goddess of Justice, was the last to flee to the heavens where she transformed into the constellation Virgo. In Campi's drawing, Astraea, identified by an inscription at the lower right, Aestrit, is shown not with her scales but rather in an amorous embrace with Jupiter, who has taken the form of an eagle in order to seduce her. Jupiter was famous for the many guises he took to beguile his objects of desire, and this theme was popular in mid-sixteenth century Mantua in the circle of Duke Federico Gonzaga II. Campi's exquisite drawing was a preparatory study for a group of frescoes representing the many loves of Jupiter painted about 1545-50 for a small room in the Palazzo
SuperStock offers millions of photos, videos, and stock assets to creatives around the world. This image of Jupiter and Astraea. Artist: Giulio Campi (Italian, Cremona 1502-1572). Dimensions: Sheet: 6 1/4 x 9 1/8 in. (15.9 x 23.1 cm). Date: ca. 1545-50.According to Ovid's 'Metamorphoses,' the most consulted mythological text in the Renaissance, when human wickedness forced the Gods to abandon the earthly realm, Astraea, the goddess of Justice, was the last to flee to the heavens where she transformed into the constellation Virgo. In Campi's drawing, Astraea, identified by an inscription at the lower right, Aestrit, is shown not with her scales but rather in an amorous embrace with Jupiter, who has taken the form of an eagle in order to seduce her. Jupiter was famous for the many guises he took to beguile his objects of desire, and this theme was popular in mid-sixteenth century Mantua in the circle of Duke Federico Gonzaga II. Campi's exquisite drawing was a preparatory study for a group of frescoes representing the many loves of Jupiter painted about 1545-50 for a small room in the Palazzo by Album/Metropolitan Museum of Art, NY/Album Archivo is available for licensing today.
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Image Number: 4409-17354883Rights ManagedCredit Line:Album/Metropolitan Museum of Art, NY/Album Archivo/SuperStockCollection:Album ArchivoContributor:Album / Metropolitan Museum of Art, NYModel Release:NoProperty Release:NoResolution:3923×2803
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