Junot

Junot
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Landscape with two Greek fishermen, François Joseph Pfeiffer (II), 1793 - 1835.
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Pharoah Perishing in the Red Sea. Dimensions: plate: 19.5 x 27.9 cm (7 11/16 x 11 in.) sheet: 19.9 x 28.1 cm (7 13/16 x 11 1/16 in.). Medium: etching on laid paper. Museum: National Gallery of Art, Washington DC. Author: Willem van Lande.
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Print, The Magician and his Family, plate 15 from the Scherzi di Fantasia; Print Maker: Giovanni Battista Tiepolo (Italian, 1692 - 1770); Italy; etching on laid paper; 22 x 17.3 cm (8 11/16 x 6 13/16 in.); 1931-67-61-a
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Finally! The solution of the Aceh issue, Marius Bauer, 1896 Cartoon on Amsterdam newspapers that easily advocate solutions for the Aceh issue. Boissevain, editor -in -chief of the Algemeen Handelsblad, calls on the others to follow him to Aceh, but refuse it. Published in the addition of 'De Kroniek' of October 25, 1896. print maker: Netherlandsprinter: Amsterdampublisher: Amsterdam paper horse. fighting. political caricatures and satires Netherlands
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4409-17455387
Three Soldiers and a Youth. Dated: published 1785. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: Giovanni Battista Tiepolo.
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4443-19520980
The Retreat, Victor Vincent Adam, 1801-1866, Pen and ink, brush and sepia wash, brush and Chinese white on paper, Arabs on horseback fleeing toward left. At right, a group of soldiers., France, 1835-1840, Drawing, Drawing
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The Arrival of the Reapers in the Pontine Marshes, Wood Engraving from the Original Painting by Leopold Robert, The Masterpieces of French Art by Louis Viardot, Published by Gravure Goupil et Cie, Paris, 1882, Gebbie & Co., Philadelphia, 1883
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Bellinde the Corzora at the stake, Jan Luyken, 1699
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4409-17478335
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6145-30365990
Henri IV devant Paris (Henry IV OutsideParis). Engraver: Achille Désiré Lefèvre, French, 1798-1864 After: Georges Rouget, French, 1784-1869
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6145-52781817
Copper engraving and etching by Coenraet Waumans from 1635-1681 depicting the Flight into Egypt, showing Mary, Joseph, and the infant Jesus in motion.
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Hamlet Tries To Follow His Father's Ghost 1835 Eugène Delacroix French In 1834 Delacroix began a series of lithographs devoted to Hamlet, creating moody images that mirror the troubled psyche of the prince. Choosing key scenes and poetic passages, the artist's highly personal and dramatic images were unusual in France, where interest in Shakespeare developed only in the nineteenth century. Here, in act 1, scene 4, the prince struggles (in a pose reminiscent of the Roman statue known as the Borghese Gladiator) to break free of Horatio and Marcellus and follow his murdered father's ghost, exclaiming: "Still am I call'd. Unhand me, gentlemen. / By heaven, I'll make a ghost of him that lets me! / I say, away! Go on; I'll follow thee." Gihaut frères published the artist's thirteen-print set in 1843, with a second expanded edition of sixteen issued by Bertauts in 1864. Cooly received at first, the prints eventually were recognized as one of the artist's most significant achievements.. Hamlet
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Close the Ranks Made 1832 France. Lithograph in black on ivory wove paper . Denis Auguste Marie Raffet
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Banknote vignette showing two men working in a mine. Artist: Attributed to Asher Brown Durand (American, Jefferson, New Jersey 1796-1886 Maplewood, New Jersey). Dimensions: plate: 1 15/16 x 4 in. (5 x 10.2 cm)sheet: 5 9/16 x 7 15/16 in. (14.2 x 20.1 cm). Printer: Printed by A. B. & C. Durand & Company (American, active 1824-27); Printed by Durand, Perkins, and Company (New York). Date: ca. 1824-37. Museum: Metropolitan Museum of Art, New York, USA.
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The Irish Massacre in 1642: men are being hanged, beaten and dragged by their feet behind horses while a woman has her nipples cut off with large scissors. Etching by Stothard.
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Image Number: 6145-29936060Royalty FreeCredit Line:Piemags/PL Photography Limited/SuperStockCollection:PL Photography LimitedStory:Historical Narrative IllustrationsContributor:PiemagsModel Release:NoProperty Release:NoResolution:2239×3000
Junot
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