Judith with the Head of Holofernes, and a Vision of the Virgin and Child Casting Out Evil, c. 1749, Gottfried Bernhard Göz; Artist: Formerly attributed to Unknown Italian, 5 3/4 x 6 13/16 in. (14.61 x 17.3 cm) (sheet), Pen, brown ink and wash, heightened with white gouache, Germany, 18th century, This wash drawing is a preparatory study for one of Gottfried Bernhard Göz's painted church ceilings, which were fixtures of 18th-century Bavaria. (The wash technique is oddly appropriate: Holofernes had subjugated Judith's people by cutting off their water supply, and it will be restored with his death.) The upper image of Mary stabbing a serpent revives the medieval idea of Judith and Holofernes as prefigurations of Mary and Satan. Judith is all rococo splendor as she whisks Holofernes' head from his bloody neck.

Judith with the Head of Holofernes, and a Vision of the Virgin and Child Casting Out Evil, c. 1749, Gottfried Bernhard Göz; Artist: Formerly attributed to Unknown Italian, 5 3/4 x 6 13/16 in. (14.61 x 17.3 cm) (sheet), Pen, brown ink and wash, heightened with white gouache, Germany, 18th century, This wash drawing is a preparatory study for one of Gottfried Bernhard Göz's painted church ceilings, which were fixtures of 18th-century Bavaria. (The wash technique is oddly appropriate: Holofernes had subjugated Judith's people by cutting off their water supply, and it will be restored with his death.) The upper image of Mary stabbing a serpent revives the medieval idea of Judith and Holofernes as prefigurations of Mary and Satan. Judith is all rococo splendor as she whisks Holofernes' head from his bloody neck.
SuperStock offers millions of photos, videos, and stock assets to creatives around the world. This image of Judith with the Head of Holofernes, and a Vision of the Virgin and Child Casting Out Evil, c. 1749, Gottfried Bernhard Göz; Artist: Formerly attributed to Unknown Italian, 5 3/4 x 6 13/16 in. (14.61 x 17.3 cm) (sheet), Pen, brown ink and wash, heightened with white gouache, Germany, 18th century, This wash drawing is a preparatory study for one of Gottfried Bernhard Göz's painted church ceilings, which were fixtures of 18th-century Bavaria. (The wash technique is oddly appropriate: Holofernes had subjugated Judith's people by cutting off their water supply, and it will be restored with his death.) The upper image of Mary stabbing a serpent revives the medieval idea of Judith and Holofernes as prefigurations of Mary and Satan. Judith is all rococo splendor as she whisks Holofernes' head from his bloody neck. by Artokoloro is available for licensing today.
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Image Number: 4443-28744400Rights ManagedCredit Line:Artokoloro/SuperStockCollection:ArtokoloroModel Release:NoProperty Release:NoResolution:6386×5364
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