Illustration of Su Shi's "Second Ode on the Red Cliff" late 14th-early 15th century Unidentified artist The subject and style of this fan painting exemplify late Yuan scholarly taste. The picture illustrates the celebrated "Second Ode on the Red Cliff" by the Northern Song scholar-artist Su Shi (1036-1101), in which a poet dreams that a crane he saw during an outing was a Daoist immortal in disguise. The rough brush idiom is based on the traditions of Dong Yuan (act. ca. 940-75) and Juran (act. ca. 960-95), but the patterned texture strokes, moss dots, and brisk rhythmic arcs of the water reeds recall the fourteenth-century master Sheng Mou.. Illustration of Su Shi's "Second Ode on the Red Cliff" 44451

Brand: PL Photography Limited
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Illustration of Su Shi's "Second Ode on the Red Cliff" late 14th-early 15th century Unidentified artist The subject and style of this fan painting exemplify late Yuan scholarly taste. The picture illustrates the celebrated "Second Ode on the Red Cliff" by the Northern Song scholar-artist Su Shi (1036-1101), in which a poet dreams that a crane he saw during an outing was a Daoist immortal in disguise. The rough brush idiom is based on the traditions of Dong Yuan (act. ca. 940-75) and Juran (act. ca. 960-95), but the patterned texture strokes, moss dots, and brisk rhythmic arcs of the water reeds recall the fourteenth-century master Sheng Mou.. Illustration of Su Shi's "Second Ode on the Red Cliff" 44451

SuperStock offers millions of photos, videos, and stock assets to creatives around the world. This image of Illustration of Su Shi's "Second Ode on the Red Cliff" late 14th-early 15th century Unidentified artist The subject and style of this fan painting exemplify late Yuan scholarly taste. The picture illustrates the celebrated "Second Ode on the Red Cliff" by the Northern Song scholar-artist Su Shi (1036-1101), in which a poet dreams that a crane he saw during an outing was a Daoist immortal in disguise. The rough brush idiom is based on the traditions of Dong Yuan (act. ca. 940-75) and Juran (act. ca. 960-95), but the patterned texture strokes, moss dots, and brisk rhythmic arcs of the water reeds recall the fourteenth-century master Sheng Mou.. Illustration of Su Shi's "Second Ode on the Red Cliff" 44451 by Piemags/PL Photography Limited is available for licensing today.

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