Homme allongé au pied d'un chàtaignier. Artist: Charles Marville (French, Paris 1813-1879 Paris). Dimensions: 20.9 x 16.2 cm (8 1/4 x 6 3/8 in.). Printer: Imprimerie photographique de Blanquart-Évrard, à Lille (French, active 1851-55). Date: 1850-53.Louis-Désiré Blanquart-Évrard pursued William Henry Fox Talbot's negative/positive experiments and by 1851 was confident enough to open a factory in the outskirts of Lille, in northern France, that cleared the way to mass-producing photographs in the same quantities as traditional prints. At last, photography could hope to succeed as both art and industry. A frequent collaborator of Blanquart-Évrard, Marville contributed more than one hundred photographs, mostly architectural views, to the publisher's many portfolios. This image is somewhat atypical of Marville's oeuvre. Its atmosphere of intimacy and nonchalance evokes the achievements of the wealthy amateur photographers of the time more than the severe architectural views usually associa

Homme allongé au pied d'un chàtaignier. Artist: Charles Marville (French, Paris 1813-1879 Paris). Dimensions: 20.9 x 16.2 cm (8 1/4 x 6 3/8 in.). Printer: Imprimerie photographique de Blanquart-Évrard, à Lille (French, active 1851-55). Date: 1850-53.Louis-Désiré Blanquart-Évrard pursued William Henry Fox Talbot's negative/positive experiments and by 1851 was confident enough to open a factory in the outskirts of Lille, in northern France, that cleared the way to mass-producing photographs in the same quantities as traditional prints. At last, photography could hope to succeed as both art and industry. A frequent collaborator of Blanquart-Évrard, Marville contributed more than one hundred photographs, mostly architectural views, to the publisher's many portfolios. This image is somewhat atypical of Marville's oeuvre. Its atmosphere of intimacy and nonchalance evokes the achievements of the wealthy amateur photographers of the time more than the severe architectural views usually associa
SuperStock offers millions of photos, videos, and stock assets to creatives around the world. This image of Homme allongé au pied d'un chàtaignier. Artist: Charles Marville (French, Paris 1813-1879 Paris). Dimensions: 20.9 x 16.2 cm (8 1/4 x 6 3/8 in.). Printer: Imprimerie photographique de Blanquart-Évrard, à Lille (French, active 1851-55). Date: 1850-53.Louis-Désiré Blanquart-Évrard pursued William Henry Fox Talbot's negative/positive experiments and by 1851 was confident enough to open a factory in the outskirts of Lille, in northern France, that cleared the way to mass-producing photographs in the same quantities as traditional prints. At last, photography could hope to succeed as both art and industry. A frequent collaborator of Blanquart-Évrard, Marville contributed more than one hundred photographs, mostly architectural views, to the publisher's many portfolios. This image is somewhat atypical of Marville's oeuvre. Its atmosphere of intimacy and nonchalance evokes the achievements of the wealthy amateur photographers of the time more than the severe architectural views usually associa by Album/Album Archivo is available for licensing today.
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Image Number: 4409-17405978Rights ManagedCredit Line:Album/Album Archivo/SuperStockCollection:Album ArchivoContributor:AlbumModel Release:NoProperty Release:NoResolution:3345×4297
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