The Head of a Grotesque Man in Profile Facing Right after 1500 After Leonardo da Vinci Italian This drawing was discovered underneath Leonardo's 'Allegory of the Fidelity of the Lizard' (Metropolitan Museum of Art, acc. no. 17.142.3) at the time of the acquisition of the latter from Thomas Nash in 1917. At that time the 'Allegory' was hinged to a blue mount bearing inscriptions in an early nineteenth-century French hand: "de la main de Leonardo da Vinci and l'écriture est á gauche, et doit se lire dans une glace." These comments obviously refer to the 'Allegory' with its long left-handed annotations. At the bottom of the old mount is penned the name Parmegianino, which seems to indicate the attribution preferred by the French collector J.-G. Legrand for the present drawing. Though the pen work in this head bears little resemblance to that of Parmigianino, the attribution is not entirely misdirected because the Parmese master did draw heads in profile that have in the past been confused

The Head of a Grotesque Man in Profile Facing Right after 1500 After Leonardo da Vinci Italian This drawing was discovered underneath Leonardo's 'Allegory of the Fidelity of the Lizard' (Metropolitan Museum of Art, acc. no. 17.142.3) at the time of the acquisition of the latter from Thomas Nash in 1917. At that time the 'Allegory' was hinged to a blue mount bearing inscriptions in an early nineteenth-century French hand: "de la main de Leonardo da Vinci and l'écriture est á gauche, et doit se lire dans une glace." These comments obviously refer to the 'Allegory' with its long left-handed annotations. At the bottom of the old mount is penned the name Parmegianino, which seems to indicate the attribution preferred by the French collector J.-G. Legrand for the present drawing. Though the pen work in this head bears little resemblance to that of Parmigianino, the attribution is not entirely misdirected because the Parmese master did draw heads in profile that have in the past been confused
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