Hampstead Heath 1829 David Lucas British View of a man sitting on a hillside under a stormy sky. The proof has been touched to add a donkey in the right foreground and a pick in the man's hand.In 1827, Constable began work on the project that would occupy his attention until his death seven years later: the publication of a series of prints based on his paintings that would stand as a summary of his achievements. The painter collaborated closely with the engraver David Lucas to create prints that would illustrate Constable's didactic intentionto illustrate the "chiaroscuro of nature." The medium of mezzotint, in which the design is developed from dark to light using a wide range of velvety tones, was eminently suited to the project.. Hampstead Heath. David Lucas (British, Northamptonshire 1802-1881 London). 1829. Mezzotint, touched with ink and white chalk; proof before published state. Prints

Hampstead Heath 1829 David Lucas British View of a man sitting on a hillside under a stormy sky. The proof has been touched to add a donkey in the right foreground and a pick in the man's hand.In 1827, Constable began work on the project that would occupy his attention until his death seven years later: the publication of a series of prints based on his paintings that would stand as a summary of his achievements. The painter collaborated closely with the engraver David Lucas to create prints that would illustrate Constable's didactic intentionto illustrate the "chiaroscuro of nature." The medium of mezzotint, in which the design is developed from dark to light using a wide range of velvety tones, was eminently suited to the project.. Hampstead Heath. David Lucas (British, Northamptonshire 1802-1881 London). 1829. Mezzotint, touched with ink and white chalk; proof before published state. Prints
SuperStock offers millions of photos, videos, and stock assets to creatives around the world. This image of Hampstead Heath 1829 David Lucas British View of a man sitting on a hillside under a stormy sky. The proof has been touched to add a donkey in the right foreground and a pick in the man's hand.In 1827, Constable began work on the project that would occupy his attention until his death seven years later: the publication of a series of prints based on his paintings that would stand as a summary of his achievements. The painter collaborated closely with the engraver David Lucas to create prints that would illustrate Constable's didactic intentionto illustrate the "chiaroscuro of nature." The medium of mezzotint, in which the design is developed from dark to light using a wide range of velvety tones, was eminently suited to the project.. Hampstead Heath. David Lucas (British, Northamptonshire 1802-1881 London). 1829. Mezzotint, touched with ink and white chalk; proof before published state. Prints by Piemags/PL Photography Limited is available for licensing today.
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Image Number: 6145-29227776Royalty FreeCredit Line:Piemags/PL Photography Limited/SuperStockCollection:PL Photography LimitedContributor:PiemagsModel Release:NoProperty Release:NoResolution:2982×2174
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