Guanyin the Bringer of Sons 17th century China The most precious treasure in premodern China was a son to carry on the family legacy. Reflecting this fervently held wish, a new form of Guanyin emerged that presented the bodhisattva as a bestower of sons. This intimate sculpture, in which Guanyin cradles the hoped-for baby boy, would have been made for personal veneration by a wealthy devotee who wished to become a mother. Note that the precocious child holds a booka sign that he will become a great scholar and thereby advance the family’s standing.. Guanyin the Bringer of Sons. China. 17th century. Sandalwood with traces of pigment and gilding. Qing dynasty (1644-1911). Sculpture

Guanyin the Bringer of Sons 17th century China The most precious treasure in premodern China was a son to carry on the family legacy. Reflecting this fervently held wish, a new form of Guanyin emerged that presented the bodhisattva as a bestower of sons. This intimate sculpture, in which Guanyin cradles the hoped-for baby boy, would have been made for personal veneration by a wealthy devotee who wished to become a mother. Note that the precocious child holds a booka sign that he will become a great scholar and thereby advance the family’s standing.. Guanyin the Bringer of Sons. China. 17th century. Sandalwood with traces of pigment and gilding. Qing dynasty (1644-1911). Sculpture
SuperStock offers millions of photos, videos, and stock assets to creatives around the world. This image of Guanyin the Bringer of Sons 17th century China The most precious treasure in premodern China was a son to carry on the family legacy. Reflecting this fervently held wish, a new form of Guanyin emerged that presented the bodhisattva as a bestower of sons. This intimate sculpture, in which Guanyin cradles the hoped-for baby boy, would have been made for personal veneration by a wealthy devotee who wished to become a mother. Note that the precocious child holds a booka sign that he will become a great scholar and thereby advance the family’s standing.. Guanyin the Bringer of Sons. China. 17th century. Sandalwood with traces of pigment and gilding. Qing dynasty (1644-1911). Sculpture by Piemags/PL Photography Limited is available for licensing today.
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Image Number: 6145-29729805Royalty FreeCredit Line:Piemags/PL Photography Limited/SuperStockCollection:PL Photography LimitedContributor:PiemagsModel Release:NoProperty Release:NoResolution:3001×4000
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