Geisha with Attendant 1860s Yokoyama Matsusaburō Japanese When Japan opened its ports to the West in the 1850s, photography—called shashin, literally, a copy of truth—soon became widely available. High-end professional salons and open-air studios operated by itinerant practitioners offered portraits at every price range. While the popularity of ambrotypes, a positive photograph on glass, was short-lived in the United States, Japanese ambrotypes were in demand from the early 1870s until the end of the nineteenth century. These two ambrotype portraits depict a dreamy-eyed, fourteen-year-old student and a barefoot geisha with her attendant. Housed in poetry-inscribed kiri-wood boxes, they provide an intimate and rare glimpse of how modern Japanese society represented itself.. Geisha with Attendant Yokoyama Matsusaburo (Japanese, 1838-1884) Geisha with Attendant, 1860s Ambrotype; Image: 10 x 7.6 cm (3 15/16 x 3 in.) Case: 1.3 x 11.1 x 8.6 cm (1/2 x 4 3/8 x 3 3/8 in.) The Metropolitan

Geisha with Attendant 1860s Yokoyama Matsusaburō Japanese When Japan opened its ports to the West in the 1850s, photography—called shashin, literally, a copy of truth—soon became widely available. High-end professional salons and open-air studios operated by itinerant practitioners offered portraits at every price range. While the popularity of ambrotypes, a positive photograph on glass, was short-lived in the United States, Japanese ambrotypes were in demand from the early 1870s until the end of the nineteenth century. These two ambrotype portraits depict a dreamy-eyed, fourteen-year-old student and a barefoot geisha with her attendant. Housed in poetry-inscribed kiri-wood boxes, they provide an intimate and rare glimpse of how modern Japanese society represented itself.. Geisha with Attendant Yokoyama Matsusaburo (Japanese, 1838-1884) Geisha with Attendant, 1860s Ambrotype; Image: 10 x 7.6 cm (3 15/16 x 3 in.) Case: 1.3 x 11.1 x 8.6 cm (1/2 x 4 3/8 x 3 3/8 in.) The Metropolitan
SuperStock offers millions of photos, videos, and stock assets to creatives around the world. This image of Geisha with Attendant 1860s Yokoyama Matsusaburō Japanese When Japan opened its ports to the West in the 1850s, photography—called shashin, literally, a copy of truth—soon became widely available. High-end professional salons and open-air studios operated by itinerant practitioners offered portraits at every price range. While the popularity of ambrotypes, a positive photograph on glass, was short-lived in the United States, Japanese ambrotypes were in demand from the early 1870s until the end of the nineteenth century. These two ambrotype portraits depict a dreamy-eyed, fourteen-year-old student and a barefoot geisha with her attendant. Housed in poetry-inscribed kiri-wood boxes, they provide an intimate and rare glimpse of how modern Japanese society represented itself.. Geisha with Attendant Yokoyama Matsusaburo (Japanese, 1838-1884) Geisha with Attendant, 1860s Ambrotype; Image: 10 x 7.6 cm (3 15/16 x 3 in.) Case: 1.3 x 11.1 x 8.6 cm (1/2 x 4 3/8 x 3 3/8 in.) The Metropolitan by Piemags/PL Photography Limited is available for licensing today.
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Image Number: 6145-29204197Royalty FreeCredit Line:Piemags/PL Photography Limited/SuperStockCollection:PL Photography LimitedContributor:PiemagsModel Release:NoProperty Release:NoResolution:2999×4000
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