Fury personified as an emaciated man astride a monster, holding a skull in his raised left hand ca.1520-39 Giovanni Jacopo Caraglio Italian One of Caraglios most successful collaborations in Rome in the 1520s was with the Florentine artist Rosso Fiorentino. Rosso spent most of his time in Rome creating designs for prints that were commissioned by the art dealer and publisher Il Baviera (Baviera Carocci da Parma, Italian, active ca. 1515-30). The publisher seems to have been an entrepreneur in commissioning print series, and Rosso and Caraglio worked together on his series of Gods in Niches, The Labors of Hercules, and The Loves of the Gods. Caraglio also translated some individual compositions by Rosso into prints, including Fury. The unconventional image signals Rossos expressive nature and the fact that, as an artist, he was not strictly “in pursuit of beauty.” Caraglios sharp tonality fits the gloominess of the subject and the composition originally created by the Florentine.. Fu

Fury personified as an emaciated man astride a monster, holding a skull in his raised left hand ca.1520-39 Giovanni Jacopo Caraglio Italian One of Caraglios most successful collaborations in Rome in the 1520s was with the Florentine artist Rosso Fiorentino. Rosso spent most of his time in Rome creating designs for prints that were commissioned by the art dealer and publisher Il Baviera (Baviera Carocci da Parma, Italian, active ca. 1515-30). The publisher seems to have been an entrepreneur in commissioning print series, and Rosso and Caraglio worked together on his series of Gods in Niches, The Labors of Hercules, and The Loves of the Gods. Caraglio also translated some individual compositions by Rosso into prints, including Fury. The unconventional image signals Rossos expressive nature and the fact that, as an artist, he was not strictly “in pursuit of beauty.” Caraglios sharp tonality fits the gloominess of the subject and the composition originally created by the Florentine.. Fu
SuperStock offers millions of photos, videos, and stock assets to creatives around the world. This image of Fury personified as an emaciated man astride a monster, holding a skull in his raised left hand ca.1520-39 Giovanni Jacopo Caraglio Italian One of Caraglios most successful collaborations in Rome in the 1520s was with the Florentine artist Rosso Fiorentino. Rosso spent most of his time in Rome creating designs for prints that were commissioned by the art dealer and publisher Il Baviera (Baviera Carocci da Parma, Italian, active ca. 1515-30). The publisher seems to have been an entrepreneur in commissioning print series, and Rosso and Caraglio worked together on his series of Gods in Niches, The Labors of Hercules, and The Loves of the Gods. Caraglio also translated some individual compositions by Rosso into prints, including Fury. The unconventional image signals Rossos expressive nature and the fact that, as an artist, he was not strictly “in pursuit of beauty.” Caraglios sharp tonality fits the gloominess of the subject and the composition originally created by the Florentine.. Fu by Piemags/PL Photography Limited is available for licensing today.
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