Fudo Myoo. Artist: Mokujiki Shonin (Japanese, 1718-1810). Culture: Japan. Dimensions: H. 35 7/16 in. (90 cm); W. 14 9/16 in. (37 cm); D. 9 13/16 in. (25 cm). Date: 1805.Statues of the Buddhist protective deity Fudo Myoo, the "immovable wisdom king," are a familiar sight at temples in Japan. In contrast to meticulously carved works by professionals, this type of roughly hewn sculpture is the creation of an amateur monk-sculptor. Mokujiki was motivated by religious enthusiasm to make thousands of sculptures of Buddhist deities and popular gods of good fortune. Mokujiki's sculptures were rediscovered in the early twentieth century by art critic Yanagi Soetsu (1889-1961), an advocate of the virtues of mingei, literally, "people's art." Yanagi admired the direct, unaffected power of Mokujiki's sculpture asrepresenting the ideal of an indigenous, popular Japanese art. While his technique is referred to as natabori--"hatchet-carved"--Mokujiki actually used round-headed chisels. Museum: Metrop

Fudo Myoo. Artist: Mokujiki Shonin (Japanese, 1718-1810). Culture: Japan. Dimensions: H. 35 7/16 in. (90 cm); W. 14 9/16 in. (37 cm); D. 9 13/16 in. (25 cm). Date: 1805.Statues of the Buddhist protective deity Fudo Myoo, the "immovable wisdom king," are a familiar sight at temples in Japan. In contrast to meticulously carved works by professionals, this type of roughly hewn sculpture is the creation of an amateur monk-sculptor. Mokujiki was motivated by religious enthusiasm to make thousands of sculptures of Buddhist deities and popular gods of good fortune. Mokujiki's sculptures were rediscovered in the early twentieth century by art critic Yanagi Soetsu (1889-1961), an advocate of the virtues of mingei, literally, "people's art." Yanagi admired the direct, unaffected power of Mokujiki's sculpture asrepresenting the ideal of an indigenous, popular Japanese art. While his technique is referred to as natabori--"hatchet-carved"--Mokujiki actually used round-headed chisels. Museum: Metrop
SuperStock offers millions of photos, videos, and stock assets to creatives around the world. This image of Fudo Myoo. Artist: Mokujiki Shonin (Japanese, 1718-1810). Culture: Japan. Dimensions: H. 35 7/16 in. (90 cm); W. 14 9/16 in. (37 cm); D. 9 13/16 in. (25 cm). Date: 1805.Statues of the Buddhist protective deity Fudo Myoo, the "immovable wisdom king," are a familiar sight at temples in Japan. In contrast to meticulously carved works by professionals, this type of roughly hewn sculpture is the creation of an amateur monk-sculptor. Mokujiki was motivated by religious enthusiasm to make thousands of sculptures of Buddhist deities and popular gods of good fortune. Mokujiki's sculptures were rediscovered in the early twentieth century by art critic Yanagi Soetsu (1889-1961), an advocate of the virtues of mingei, literally, "people's art." Yanagi admired the direct, unaffected power of Mokujiki's sculpture asrepresenting the ideal of an indigenous, popular Japanese art. While his technique is referred to as natabori--"hatchet-carved"--Mokujiki actually used round-headed chisels. Museum: Metrop by Album/Metropolitan Museum of Art, NY/Album Archivo is available for licensing today.
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Image Number: 4409-17394240Rights ManagedCredit Line:Album/Metropolitan Museum of Art, NY/Album Archivo/SuperStockCollection:Album ArchivoContributor:Album / Metropolitan Museum of Art, NYModel Release:NoProperty Release:NoResolution:2559×4400
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