Fraktur. Culture: American. Dimensions: 13 3/16 x 16 9/16 in. (33.5 x 42.1 cm). Maker: Johann Heinrich Otto (ca. 1733-ca. 1800). Date: ca. 1770-1800.By 1770, Otto, a German émigré, had begun to make various forms of fraktur, a style of decorative calligraphy named after a sixteenth-century German typeface. Otto's skill is evident in the pleasing checks and balances of color and form he achieved in the composition of repetitive motifs. For example, the parrots perched at either side of the sheet and the two peacocks that cross necks above the tulip are nearly identical in form but vary in the patterning on their wings. Touches of blue enhance the harmony among the reds, greens, and yellows that dominate in Pennsylvania German fraktur designs. Museum: Metropolitan Museum of Art, New York, USA.
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SuperStock offers millions of photos, videos, and stock assets to creatives around the world. This image of Fraktur. Culture: American. Dimensions: 13 3/16 x 16 9/16 in. (33.5 x 42.1 cm). Maker: Johann Heinrich Otto (ca. 1733-ca. 1800). Date: ca. 1770-1800.By 1770, Otto, a German émigré, had begun to make various forms of fraktur, a style of decorative calligraphy named after a sixteenth-century German typeface. Otto's skill is evident in the pleasing checks and balances of color and form he achieved in the composition of repetitive motifs. For example, the parrots perched at either side of the sheet and the two peacocks that cross necks above the tulip are nearly identical in form but vary in the patterning on their wings. Touches of blue enhance the harmony among the reds, greens, and yellows that dominate in Pennsylvania German fraktur designs. Museum: Metropolitan Museum of Art, New York, USA. by Album/Metropolitan Museum of Art, NY/Album Archivo is available for licensing today.
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Image Number: 4409-17423753Rights ManagedCredit Line:Album/Metropolitan Museum of Art, NY/Album Archivo/SuperStockCollection:Album Archivo Contributor:Album / Metropolitan Museum of Art, NY Model Release:NoProperty Release:NoResolution:4192×3350
