Fontainebleau Forest. Artist: Eugène Cuvelier (French, 1837-1900). Dimensions: 25.9 x 19.7 cm. (10 3/16 x 7 3/4 in.). Date: ca. 1860.The Forest of Fontainebleau-and, in particular, the small town of Barbizon within it-was a popular destination for artists seeking refuge from urban, industrial life in the mid-nineteenth century. With its forty thousand acres of dense woods intercut with rocky gorges and dotted with ancient oaks, Fontainebleau provided an idyllic natural setting for plein-air painters, such as Corot and Millet, as well as for photographers, including Gustave Le Gray and Eugène Cuvelier. Although the process of making salted paper prints from paper negatives was already somewhat antiquated by the 1860s, Cuvelier chose the technique because of its aesthetic qualities-the soft fibrous effect of the paper negative and the velvety mat surface of the print. Museum: Metropolitan Museum of Art, New York, USA.

Fontainebleau Forest. Artist: Eugène Cuvelier (French, 1837-1900). Dimensions: 25.9 x 19.7 cm. (10 3/16 x 7 3/4 in.). Date: ca. 1860.The Forest of Fontainebleau-and, in particular, the small town of Barbizon within it-was a popular destination for artists seeking refuge from urban, industrial life in the mid-nineteenth century. With its forty thousand acres of dense woods intercut with rocky gorges and dotted with ancient oaks, Fontainebleau provided an idyllic natural setting for plein-air painters, such as Corot and Millet, as well as for photographers, including Gustave Le Gray and Eugène Cuvelier. Although the process of making salted paper prints from paper negatives was already somewhat antiquated by the 1860s, Cuvelier chose the technique because of its aesthetic qualities-the soft fibrous effect of the paper negative and the velvety mat surface of the print. Museum: Metropolitan Museum of Art, New York, USA.
SuperStock offers millions of photos, videos, and stock assets to creatives around the world. This image of Fontainebleau Forest. Artist: Eugène Cuvelier (French, 1837-1900). Dimensions: 25.9 x 19.7 cm. (10 3/16 x 7 3/4 in.). Date: ca. 1860.The Forest of Fontainebleau-and, in particular, the small town of Barbizon within it-was a popular destination for artists seeking refuge from urban, industrial life in the mid-nineteenth century. With its forty thousand acres of dense woods intercut with rocky gorges and dotted with ancient oaks, Fontainebleau provided an idyllic natural setting for plein-air painters, such as Corot and Millet, as well as for photographers, including Gustave Le Gray and Eugène Cuvelier. Although the process of making salted paper prints from paper negatives was already somewhat antiquated by the 1860s, Cuvelier chose the technique because of its aesthetic qualities-the soft fibrous effect of the paper negative and the velvety mat surface of the print. Museum: Metropolitan Museum of Art, New York, USA. by Album/Metropolitan Museum of Art, NY/Album Archivo is available for licensing today.
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Image Number: 4409-17398489Rights ManagedCredit Line:Album/Metropolitan Museum of Art, NY/Album Archivo/SuperStockCollection:Album ArchivoContributor:Album / Metropolitan Museum of Art, NYModel Release:NoProperty Release:NoResolution:3132×4094
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