The flames burn in candelabra in the shape of vases, for which alternative suggestions are made. They stand upon the base at the ends of the steps. The panels and piers beside the door are decorated with a festoon. Above the entablature is above the door a triangular pediment with a head inside. The attic is only a little higher than the pediment. Above it stands a roudn pediment with a base. The upper part of the pedestal is decorated with two festoons supported by a bowknot. On top is a variation of the figure in 1938-88-1294, with an angel kneeling beow the raised arm. Below, inside the monument lies the crowning motif of 1938-88-1308. Date: 1793. Pen and brown ink, brush and brown wash on lined off-white laid paper. Museum: Cooper Hewitt, Smithsonian Design Museum.

The flames burn in candelabra in the shape of vases, for which alternative suggestions are made. They stand upon the base at the ends of the steps. The panels and piers beside the door are decorated with a festoon. Above the entablature is above the door a triangular pediment with a head inside. The attic is only a little higher than the pediment. Above it stands a roudn pediment with a base. The upper part of the pedestal is decorated with two festoons supported by a bowknot. On top is a variation of the figure in 1938-88-1294, with an angel kneeling beow the raised arm. Below, inside the monument lies the crowning motif of 1938-88-1308. Date: 1793. Pen and brown ink, brush and brown wash on lined off-white laid paper. Museum: Cooper Hewitt, Smithsonian Design Museum.
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Image Number: 4409-28960411Rights ManagedCredit Line:Abum/Album Archivo/Album/SuperStockCollection:Album ArchivoContributor:AbumModel Release:NoProperty Release:NoResolution:2597×3600
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