Fenggan, Hanshan, and Shide first half of the 15th century Reisai From their perch on a rocky precipice, three figures look out over clouds rising from a valley below. At left are Hanshan and Shide (Japanese: Kanzan and Jittoku), Chan (Japanese: Zen) monks who held low-level positions at Guoqingsi, a temple on Chinas Mount Tiantai. The reclusive monk-poet Hanshan, shown carrying a bucket, was said to have gathered leftover food from the temple kitchen, where he worked. Shide holds a broom indicating his role as the temple janitor. The older, contemplative figure at right is their teacher Fenggan (Japanese: Bukan) who lived, according to legend, with a pet tiger, easily overlooked as he naps by a rock. Although these paintings—once the flanking scrolls of an iconic triptych—bear no seals or signatures, they have long been attributed to Reisai based on style. Reisai was a follower of Kichizan Minchō (1352-1431), an artist active in the painting atelier of the Zen monastery Tōfukuji in K

Brand: PL Photography Limited
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Fenggan, Hanshan, and Shide first half of the 15th century Reisai From their perch on a rocky precipice, three figures look out over clouds rising from a valley below. At left are Hanshan and Shide (Japanese: Kanzan and Jittoku), Chan (Japanese: Zen) monks who held low-level positions at Guoqingsi, a temple on Chinas Mount Tiantai. The reclusive monk-poet Hanshan, shown carrying a bucket, was said to have gathered leftover food from the temple kitchen, where he worked. Shide holds a broom indicating his role as the temple janitor. The older, contemplative figure at right is their teacher Fenggan (Japanese: Bukan) who lived, according to legend, with a pet tiger, easily overlooked as he naps by a rock. Although these paintings—once the flanking scrolls of an iconic triptych—bear no seals or signatures, they have long been attributed to Reisai based on style. Reisai was a follower of Kichizan Minchō (1352-1431), an artist active in the painting atelier of the Zen monastery Tōfukuji in K

SuperStock offers millions of photos, videos, and stock assets to creatives around the world. This image of Fenggan, Hanshan, and Shide first half of the 15th century Reisai From their perch on a rocky precipice, three figures look out over clouds rising from a valley below. At left are Hanshan and Shide (Japanese: Kanzan and Jittoku), Chan (Japanese: Zen) monks who held low-level positions at Guoqingsi, a temple on Chinas Mount Tiantai. The reclusive monk-poet Hanshan, shown carrying a bucket, was said to have gathered leftover food from the temple kitchen, where he worked. Shide holds a broom indicating his role as the temple janitor. The older, contemplative figure at right is their teacher Fenggan (Japanese: Bukan) who lived, according to legend, with a pet tiger, easily overlooked as he naps by a rock. Although these paintings—once the flanking scrolls of an iconic triptych—bear no seals or signatures, they have long been attributed to Reisai based on style. Reisai was a follower of Kichizan Minchō (1352-1431), an artist active in the painting atelier of the Zen monastery Tōfukuji in K by Piemags/PL Photography Limited is available for licensing today.

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