Evening slippers. Culture: probably American. Designer: Hing Sheng Boot and Shoe Maker. Date: 1855-65.This pair of pink satin evening slippers would be unremarkable were it not for the original label by its Chinese maker. While it is possible that Hing Sheng was an immigrant, the paper and printing of the label suggests instead that he was working in China, most likely Hong Kong, Canton, or other trade center which had a sizeable Western population. The style and construction of the shoes is completely in line with Western shoes dating from around 1860, and it is clear that the maker was trained in those techniques and was producing wares for sale to a Western clientele, as there was no significant adoption of Western dress in China at this early a date. Museum: Metropolitan Museum of Art, New York, USA.

Evening slippers. Culture: probably American. Designer: Hing Sheng Boot and Shoe Maker. Date: 1855-65.This pair of pink satin evening slippers would be unremarkable were it not for the original label by its Chinese maker. While it is possible that Hing Sheng was an immigrant, the paper and printing of the label suggests instead that he was working in China, most likely Hong Kong, Canton, or other trade center which had a sizeable Western population. The style and construction of the shoes is completely in line with Western shoes dating from around 1860, and it is clear that the maker was trained in those techniques and was producing wares for sale to a Western clientele, as there was no significant adoption of Western dress in China at this early a date. Museum: Metropolitan Museum of Art, New York, USA.
SuperStock offers millions of photos, videos, and stock assets to creatives around the world. This image of Evening slippers. Culture: probably American. Designer: Hing Sheng Boot and Shoe Maker. Date: 1855-65.This pair of pink satin evening slippers would be unremarkable were it not for the original label by its Chinese maker. While it is possible that Hing Sheng was an immigrant, the paper and printing of the label suggests instead that he was working in China, most likely Hong Kong, Canton, or other trade center which had a sizeable Western population. The style and construction of the shoes is completely in line with Western shoes dating from around 1860, and it is clear that the maker was trained in those techniques and was producing wares for sale to a Western clientele, as there was no significant adoption of Western dress in China at this early a date. Museum: Metropolitan Museum of Art, New York, USA. by Album/Metropolitan Museum of Art, NY/Album Archivo is available for licensing today.
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Image Number: 4409-17386464Rights ManagedCredit Line:Album/Metropolitan Museum of Art, NY/Album Archivo/SuperStockCollection:Album ArchivoContributor:Album / Metropolitan Museum of Art, NYModel Release:NoProperty Release:NoResolution:4400×2732
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