Evening Calm, Concarneau, Opus 220 (Allegro Maestoso). Artist: Paul Signac (French, Paris 1863-1935 Paris). Dimensions: 25 1/2 x 32in. (64.8 x 81.3cm); Framed: 40 1/4 x 34 in. (102.2 x 86.4cm). Date: 1891.As Georges Seurat's most ardent follower, Paul Signacsteadfastly promoted the principles of Neo-Impressionism all his life. Adopting Seurat's systemof color harmony, Signac argued for the meticulousapplication of precise hues in separate strokes ofpaint across the canvas, a technique he said evoked"brilliantly colored lights." This painting is one offive related images of fishing boats near the Frenchtown of Concarneau, in Brittany. Signac endowedhis Concarneau paintings with musical sub-titles,suggesting a symphonic arrangement. Museum: Metropolitan Museum of Art, New York, USA.

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Evening Calm, Concarneau, Opus 220 (Allegro Maestoso). Artist: Paul Signac (French, Paris 1863-1935 Paris). Dimensions: 25 1/2 x 32in. (64.8 x 81.3cm); Framed: 40 1/4 x 34 in. (102.2 x 86.4cm). Date: 1891.As Georges Seurat's most ardent follower, Paul Signacsteadfastly promoted the principles of Neo-Impressionism all his life. Adopting Seurat's systemof color harmony, Signac argued for the meticulousapplication of precise hues in separate strokes ofpaint across the canvas, a technique he said evoked"brilliantly colored lights." This painting is one offive related images of fishing boats near the Frenchtown of Concarneau, in Brittany. Signac endowedhis Concarneau paintings with musical sub-titles,suggesting a symphonic arrangement. Museum: Metropolitan Museum of Art, New York, USA.

SuperStock offers millions of photos, videos, and stock assets to creatives around the world. This image of Evening Calm, Concarneau, Opus 220 (Allegro Maestoso). Artist: Paul Signac (French, Paris 1863-1935 Paris). Dimensions: 25 1/2 x 32in. (64.8 x 81.3cm); Framed: 40 1/4 x 34 in. (102.2 x 86.4cm). Date: 1891.As Georges Seurat's most ardent follower, Paul Signacsteadfastly promoted the principles of Neo-Impressionism all his life. Adopting Seurat's systemof color harmony, Signac argued for the meticulousapplication of precise hues in separate strokes ofpaint across the canvas, a technique he said evoked"brilliantly colored lights." This painting is one offive related images of fishing boats near the Frenchtown of Concarneau, in Brittany. Signac endowedhis Concarneau paintings with musical sub-titles,suggesting a symphonic arrangement. Museum: Metropolitan Museum of Art, New York, USA. by Album/Album Archivo is available for licensing today.