The entablature of the altar is in the same height than that of the chapel; part of the supports being the same for either. A frame of a reversed image is supported by angels before the entablature under the circular pediment. Statues of female figures stand laterally beside the mensa. Date: 1775-1800. Pen and brown ink, brush and brown wash, graphite on off-white laid paper. Museum: Cooper Hewitt, Smithsonian Design Museum.

Name: The entablature of the altar is in the same height than that of the chapel; part of the supports being the same for either. A frame of a reversed image is supported by angels before the entablature under the circular pediment. Statues of female figures stand laterally beside the mensa. Date: 1775-1800. Pen and brown ink, brush and brown wash, graphite on off-white laid paper. Museum: Cooper Hewitt, Smithsonian Design Museum. - SuperStock
Brand: Album Archivo
SKU: 4409-28960773
Availability: InStock

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The entablature of the altar is in the same height than that of the chapel; part of the supports being the same for either. A frame of a reversed image is supported by angels before the entablature under the circular pediment. Statues of female figures stand laterally beside the mensa. Date: 1775-1800. Pen and brown ink, brush and brown wash, graphite on off-white laid paper. Museum: Cooper Hewitt, Smithsonian Design Museum.

SuperStock offers millions of photos, videos, and stock assets to creatives around the world. This image of The entablature of the altar is in the same height than that of the chapel; part of the supports being the same for either. A frame of a reversed image is supported by angels before the entablature under the circular pediment. Statues of female figures stand laterally beside the mensa. Date: 1775-1800. Pen and brown ink, brush and brown wash, graphite on off-white laid paper. Museum: Cooper Hewitt, Smithsonian Design Museum. by Abum/Album Archivo/Album is available for licensing today.