Ensemble. Culture: American. Date: ca. 1775.This dress is considerably less gaudy than continental and English clothing of the period. Yet, it is not lacking in sumptuousness. Rather, the green Spitalfields damask, attributed to Anna Maria Garthwaite about 1743-45, is richly displayed. The Costume Institute acquired this dress in 1994, knowing that it would be in the Museum's exhibition "John Singleton Copley's America." It has since appeared in our show "The Ceaseless Century." One could argue that the relative simplicity engenders more delight in the dress's inherent voluptuousness. Generations later, it was said that Boston ladies waited a year before breaking out their new Paris finery from Worth; perhaps the American sensibility in luxury goods is slow and deliberate. The outfit includes matching shoes. Museum: Metropolitan Museum of Art, New York, USA.

Ensemble. Culture: American. Date: ca. 1775.This dress is considerably less gaudy than continental and English clothing of the period. Yet, it is not lacking in sumptuousness. Rather, the green Spitalfields damask, attributed to Anna Maria Garthwaite about 1743-45, is richly displayed. The Costume Institute acquired this dress in 1994, knowing that it would be in the Museum's exhibition "John Singleton Copley's America." It has since appeared in our show "The Ceaseless Century." One could argue that the relative simplicity engenders more delight in the dress's inherent voluptuousness. Generations later, it was said that Boston ladies waited a year before breaking out their new Paris finery from Worth; perhaps the American sensibility in luxury goods is slow and deliberate. The outfit includes matching shoes. Museum: Metropolitan Museum of Art, New York, USA.
SuperStock offers millions of photos, videos, and stock assets to creatives around the world. This image of Ensemble. Culture: American. Date: ca. 1775.This dress is considerably less gaudy than continental and English clothing of the period. Yet, it is not lacking in sumptuousness. Rather, the green Spitalfields damask, attributed to Anna Maria Garthwaite about 1743-45, is richly displayed. The Costume Institute acquired this dress in 1994, knowing that it would be in the Museum's exhibition "John Singleton Copley's America." It has since appeared in our show "The Ceaseless Century." One could argue that the relative simplicity engenders more delight in the dress's inherent voluptuousness. Generations later, it was said that Boston ladies waited a year before breaking out their new Paris finery from Worth; perhaps the American sensibility in luxury goods is slow and deliberate. The outfit includes matching shoes. Museum: Metropolitan Museum of Art, New York, USA. by Album/Metropolitan Museum of Art, NY/Album Archivo is available for licensing today.
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Image Number: 4409-17415352Rights ManagedCredit Line:Album/Metropolitan Museum of Art, NY/Album Archivo/SuperStockCollection:Album ArchivoContributor:Album / Metropolitan Museum of Art, NYModel Release:NoProperty Release:NoResolution:3360×4200