Engaged molding on a polyptych panel ca. 1435-40 Sienese Only the lancet top, which itself has suffered damage, survives of the engaged frame on this "Madonna and Child Enthroned with Two Cherubim" that John Pope-Hennessy has attributed to the Osservanza Master. Nevertheless, the narrow chamfered molding, with its arch echoing the perspective of the picture, lends an architectural strength to the enthroned Virgin and Child, and the remaining crockets still suggest stylized palm fronds arching over their heads. As the center panel of a large polyptych, the "Madonna and Child" would not originally have had engaged moldings along its sides, but would have been separated visually from its lateral panels by applied, perhaps spiral, colonettes. The lancet top was probably itself engaged to an extension of the main panel forming a triangular gable above it.. Engaged molding on a polyptych panel 460412

Engaged molding on a polyptych panel ca. 1435-40 Sienese Only the lancet top, which itself has suffered damage, survives of the engaged frame on this "Madonna and Child Enthroned with Two Cherubim" that John Pope-Hennessy has attributed to the Osservanza Master. Nevertheless, the narrow chamfered molding, with its arch echoing the perspective of the picture, lends an architectural strength to the enthroned Virgin and Child, and the remaining crockets still suggest stylized palm fronds arching over their heads. As the center panel of a large polyptych, the "Madonna and Child" would not originally have had engaged moldings along its sides, but would have been separated visually from its lateral panels by applied, perhaps spiral, colonettes. The lancet top was probably itself engaged to an extension of the main panel forming a triangular gable above it.. Engaged molding on a polyptych panel 460412
SuperStock offers millions of photos, videos, and stock assets to creatives around the world. This image of Engaged molding on a polyptych panel ca. 1435-40 Sienese Only the lancet top, which itself has suffered damage, survives of the engaged frame on this "Madonna and Child Enthroned with Two Cherubim" that John Pope-Hennessy has attributed to the Osservanza Master. Nevertheless, the narrow chamfered molding, with its arch echoing the perspective of the picture, lends an architectural strength to the enthroned Virgin and Child, and the remaining crockets still suggest stylized palm fronds arching over their heads. As the center panel of a large polyptych, the "Madonna and Child" would not originally have had engaged moldings along its sides, but would have been separated visually from its lateral panels by applied, perhaps spiral, colonettes. The lancet top was probably itself engaged to an extension of the main panel forming a triangular gable above it.. Engaged molding on a polyptych panel 460412 by Piemags/PL Photography Limited is available for licensing today.
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Image Number: 6145-29831245Royalty FreeCredit Line:Piemags/PL Photography Limited/SuperStockCollection:PL Photography LimitedContributor:PiemagsModel Release:NoProperty Release:NoResolution:739×1500
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