Engaged arched cassetta frame. Culture: Sienese. Dimensions: Overall, 74.2 x 51.7 cm; sight, 62 x 39.6 cm; engaged.. Date: 1460-70.Apart from the damage to the base and some minor repairs, the original engaged frame on this "Madonna and Child with Saints Jerome, Bernardino, John the Baptist, and Anthony of Padua, and Two Angels" by Sano di Pietro (see also 1975.1.2311, 1975.1.40b) has a wonderful patina. The depressed arch keeps the frame from appearing to echo the Madonna's halo. this type of molding profile was used throughout the fifteenth century; the punched decoration is archaic. The halos and the static arrangement of the heads around the Madonna and Child also refelct a conservative taste in fifteenth-century style, as does the way the figures are cut off as if by a window frame. Museum: Metropolitan Museum of Art, New York, USA.

Engaged arched cassetta frame. Culture: Sienese. Dimensions: Overall, 74.2 x 51.7 cm; sight, 62 x 39.6 cm; engaged.. Date: 1460-70.Apart from the damage to the base and some minor repairs, the original engaged frame on this "Madonna and Child with Saints Jerome, Bernardino, John the Baptist, and Anthony of Padua, and Two Angels" by Sano di Pietro (see also 1975.1.2311, 1975.1.40b) has a wonderful patina. The depressed arch keeps the frame from appearing to echo the Madonna's halo. this type of molding profile was used throughout the fifteenth century; the punched decoration is archaic. The halos and the static arrangement of the heads around the Madonna and Child also refelct a conservative taste in fifteenth-century style, as does the way the figures are cut off as if by a window frame. Museum: Metropolitan Museum of Art, New York, USA.
SuperStock offers millions of photos, videos, and stock assets to creatives around the world. This image of Engaged arched cassetta frame. Culture: Sienese. Dimensions: Overall, 74.2 x 51.7 cm; sight, 62 x 39.6 cm; engaged.. Date: 1460-70.Apart from the damage to the base and some minor repairs, the original engaged frame on this "Madonna and Child with Saints Jerome, Bernardino, John the Baptist, and Anthony of Padua, and Two Angels" by Sano di Pietro (see also 1975.1.2311, 1975.1.40b) has a wonderful patina. The depressed arch keeps the frame from appearing to echo the Madonna's halo. this type of molding profile was used throughout the fifteenth century; the punched decoration is archaic. The halos and the static arrangement of the heads around the Madonna and Child also refelct a conservative taste in fifteenth-century style, as does the way the figures are cut off as if by a window frame. Museum: Metropolitan Museum of Art, New York, USA. by Album/Metropolitan Museum of Art, NY/Album Archivo is available for licensing today.
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Image Number: 4409-17352556Rights ManagedCredit Line:Album/Metropolitan Museum of Art, NY/Album Archivo/SuperStockCollection:Album ArchivoContributor:Album / Metropolitan Museum of Art, NYModel Release:NoProperty Release:NoResolution:2734×3904
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