Egrets in Plum right of the pair Egrets in Plum and Willow, second half 16th century, Sesson Shūkei, Japanese, 1504 - 1589, 69 1/4 x 24 in. (175.9 x 60.96 cm) (each fold), Ink on paper, Japan, 16th century, Born in remote eastern Japan, far from the cultural center of Kyoto, Sesson Shūkei taught himself to paint by studying the brush styles of earlier Chinese and Japanese masters, whose works were held in many old collections in the region. These screens reveal his keen interest in the Chinese Zen painter-monk Muqi (c. 1210-after 1269). Of the dozens of extant paintings by Sesson, a Zen priest himself, none so clearly attests to his admiration for Muqi as this misty, moonlit scene of herons cavorting around a gnarled old plum tree and willow. Using the so-called 'boneless' technique for which Muqi was famous, Sesson avoided contour lines, relying instead on soft washes of ink. He also borrowed several motifs directly from paintings by Muqi. Indeed, this pair of screens is as much a vis

Egrets in Plum right of the pair Egrets in Plum and Willow, second half 16th century, Sesson Shūkei, Japanese, 1504 - 1589, 69 1/4 x 24 in. (175.9 x 60.96 cm) (each fold), Ink on paper, Japan, 16th century, Born in remote eastern Japan, far from the cultural center of Kyoto, Sesson Shūkei taught himself to paint by studying the brush styles of earlier Chinese and Japanese masters, whose works were held in many old collections in the region. These screens reveal his keen interest in the Chinese Zen painter-monk Muqi (c. 1210-after 1269). Of the dozens of extant paintings by Sesson, a Zen priest himself, none so clearly attests to his admiration for Muqi as this misty, moonlit scene of herons cavorting around a gnarled old plum tree and willow. Using the so-called 'boneless' technique for which Muqi was famous, Sesson avoided contour lines, relying instead on soft washes of ink. He also borrowed several motifs directly from paintings by Muqi. Indeed, this pair of screens is as much a vis
SuperStock offers millions of photos, videos, and stock assets to creatives around the world. This image of Egrets in Plum right of the pair Egrets in Plum and Willow, second half 16th century, Sesson Shūkei, Japanese, 1504 - 1589, 69 1/4 x 24 in. (175.9 x 60.96 cm) (each fold), Ink on paper, Japan, 16th century, Born in remote eastern Japan, far from the cultural center of Kyoto, Sesson Shūkei taught himself to paint by studying the brush styles of earlier Chinese and Japanese masters, whose works were held in many old collections in the region. These screens reveal his keen interest in the Chinese Zen painter-monk Muqi (c. 1210-after 1269). Of the dozens of extant paintings by Sesson, a Zen priest himself, none so clearly attests to his admiration for Muqi as this misty, moonlit scene of herons cavorting around a gnarled old plum tree and willow. Using the so-called 'boneless' technique for which Muqi was famous, Sesson avoided contour lines, relying instead on soft washes of ink. He also borrowed several motifs directly from paintings by Muqi. Indeed, this pair of screens is as much a vis by Artokoloro is available for licensing today.
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Image Number: 4443-28726706Rights ManagedCredit Line:Artokoloro/SuperStockCollection:ArtokoloroModel Release:NoProperty Release:NoResolution:8300×3878
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