Écorché: Three Studies of a Male Cadaver n.d. Eugène Delacroix French On this sheet, owned at one time by the nineteenth-century French sculptor Jean-Baptiste Carpeaux, Delacroix sketched a torso from two slightly different angles in two distinct densities of graphite. To the left, in ink, he included the head, mouth agape, and an arm hanging perpendicularly, its limpness a reminder of the force of gravity on a dead body. Whether working in graphite, ink, or black or red chalk, Delacroix organized the parallel strokes in his écorché drawings in a way that evocatively conveys the sinewy texture of exposed muscle and tissue.. Écorché: Three Studies of a Male Cadaver. Eugène Delacroix (French, Charenton-Saint-Maurice 1798-1863 Paris). n.d.. Pen and brown ink, graphite. Drawings

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Écorché: Three Studies of a Male Cadaver n.d. Eugène Delacroix French On this sheet, owned at one time by the nineteenth-century French sculptor Jean-Baptiste Carpeaux, Delacroix sketched a torso from two slightly different angles in two distinct densities of graphite. To the left, in ink, he included the head, mouth agape, and an arm hanging perpendicularly, its limpness a reminder of the force of gravity on a dead body. Whether working in graphite, ink, or black or red chalk, Delacroix organized the parallel strokes in his écorché drawings in a way that evocatively conveys the sinewy texture of exposed muscle and tissue.. Écorché: Three Studies of a Male Cadaver. Eugène Delacroix (French, Charenton-Saint-Maurice 1798-1863 Paris). n.d.. Pen and brown ink, graphite. Drawings

SuperStock offers millions of photos, videos, and stock assets to creatives around the world. This image of Écorché: Three Studies of a Male Cadaver n.d. Eugène Delacroix French On this sheet, owned at one time by the nineteenth-century French sculptor Jean-Baptiste Carpeaux, Delacroix sketched a torso from two slightly different angles in two distinct densities of graphite. To the left, in ink, he included the head, mouth agape, and an arm hanging perpendicularly, its limpness a reminder of the force of gravity on a dead body. Whether working in graphite, ink, or black or red chalk, Delacroix organized the parallel strokes in his écorché drawings in a way that evocatively conveys the sinewy texture of exposed muscle and tissue.. Écorché: Three Studies of a Male Cadaver. Eugène Delacroix (French, Charenton-Saint-Maurice 1798-1863 Paris). n.d.. Pen and brown ink, graphite. Drawings by Piemags/PL Photography Limited is available for licensing today.

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