The Duenna's Return, from "Illustrated London News" May 19, 1860 William Luson Thomas Within a 17th-century interior, an elderly woman carrying keys enters a room to discover that the young woman under her care has been trysting with an admirer--the latter's is face still visible through an open window in the adjacent room. Horsley became a Royal Academician in 1864, served as the institution's professor of drawing, and also was a proficient etcher and draughtsman on wood. Thomas's wood engraving reproduces a painting that Horsley showed at the Royal Academy in 1864, and the imagery well represents the type of romantic genre subjects for which he became known--Richard Parkes Bonington had pioneered this newly intimate mode of historical painting while working in France during the 1820s.. The Duenna's Return, from "Illustrated London News". After John Callcott Horsley (British, London 1817-1903 London). May 19, 1860. Wood engraving. William Luson Thomas (British, London 1830-1900 Cherts

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The Duenna's Return, from "Illustrated London News" May 19, 1860 William Luson Thomas Within a 17th-century interior, an elderly woman carrying keys enters a room to discover that the young woman under her care has been trysting with an admirer--the latter's is face still visible through an open window in the adjacent room. Horsley became a Royal Academician in 1864, served as the institution's professor of drawing, and also was a proficient etcher and draughtsman on wood. Thomas's wood engraving reproduces a painting that Horsley showed at the Royal Academy in 1864, and the imagery well represents the type of romantic genre subjects for which he became known--Richard Parkes Bonington had pioneered this newly intimate mode of historical painting while working in France during the 1820s.. The Duenna's Return, from "Illustrated London News". After John Callcott Horsley (British, London 1817-1903 London). May 19, 1860. Wood engraving. William Luson Thomas (British, London 1830-1900 Cherts

SuperStock offers millions of photos, videos, and stock assets to creatives around the world. This image of The Duenna's Return, from "Illustrated London News" May 19, 1860 William Luson Thomas Within a 17th-century interior, an elderly woman carrying keys enters a room to discover that the young woman under her care has been trysting with an admirer--the latter's is face still visible through an open window in the adjacent room. Horsley became a Royal Academician in 1864, served as the institution's professor of drawing, and also was a proficient etcher and draughtsman on wood. Thomas's wood engraving reproduces a painting that Horsley showed at the Royal Academy in 1864, and the imagery well represents the type of romantic genre subjects for which he became known--Richard Parkes Bonington had pioneered this newly intimate mode of historical painting while working in France during the 1820s.. The Duenna's Return, from "Illustrated London News". After John Callcott Horsley (British, London 1817-1903 London). May 19, 1860. Wood engraving. William Luson Thomas (British, London 1830-1900 Cherts by Piemags/PL Photography Limited is available for licensing today.

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