Dress. Culture: American. Date: 1837-39.The textile here is a nice example of a process known as mill engraving where the textile is printed from an engraved copper roller. This process allowed for highly detailed small-scale motifs across the textile which enhances the charm. It is firmly anchored it in the 1830s not only because of its textile, but also because of its unabashed emphasis on the bust and shoulders by the way of wider neckline and V-shaped gathering over the bust. The female silhouette of the middle of the 19th century consisted of a fitted corseted bodice and wide full skirts. The conical skirts developed between the 1830s, when the high waist of the Empire silhouette was lowered and the skirts became more bell shaped, to the late 1860s, when the fullness of the skirts were pulled to the back and the bustle developed. The flared skirts of the period gradually increased in size throughout and were supported by a number of methods. Originally support came from multiple

Dress. Culture: American. Date: 1837-39.The textile here is a nice example of a process known as mill engraving where the textile is printed from an engraved copper roller. This process allowed for highly detailed small-scale motifs across the textile which enhances the charm. It is firmly anchored it in the 1830s not only because of its textile, but also because of its unabashed emphasis on the bust and shoulders by the way of wider neckline and V-shaped gathering over the bust. The female silhouette of the middle of the 19th century consisted of a fitted corseted bodice and wide full skirts. The conical skirts developed between the 1830s, when the high waist of the Empire silhouette was lowered and the skirts became more bell shaped, to the late 1860s, when the fullness of the skirts were pulled to the back and the bustle developed. The flared skirts of the period gradually increased in size throughout and were supported by a number of methods. Originally support came from multiple
SuperStock offers millions of photos, videos, and stock assets to creatives around the world. This image of Dress. Culture: American. Date: 1837-39.The textile here is a nice example of a process known as mill engraving where the textile is printed from an engraved copper roller. This process allowed for highly detailed small-scale motifs across the textile which enhances the charm. It is firmly anchored it in the 1830s not only because of its textile, but also because of its unabashed emphasis on the bust and shoulders by the way of wider neckline and V-shaped gathering over the bust. The female silhouette of the middle of the 19th century consisted of a fitted corseted bodice and wide full skirts. The conical skirts developed between the 1830s, when the high waist of the Empire silhouette was lowered and the skirts became more bell shaped, to the late 1860s, when the fullness of the skirts were pulled to the back and the bustle developed. The flared skirts of the period gradually increased in size throughout and were supported by a number of methods. Originally support came from multiple by Album/Metropolitan Museum of Art, NY/Album Archivo is available for licensing today.
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Image Number: 4409-17426023Rights ManagedCredit Line:Album/Metropolitan Museum of Art, NY/Album Archivo/SuperStockCollection:Album ArchivoContributor:Album / Metropolitan Museum of Art, NYModel Release:NoProperty Release:NoResolution:3216×4400
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