Detail of Japanese textile print

Detail of Japanese textile print
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Two Riddles of the Queen of Sheba ca. 1490-1500 Upper Rhenish Although the Bible states that the Queen of Sheba posed difficult questions to Solomon, their content, not specified in the biblical text, comes from eastern folklore. Here the queen asks Solomon how to tell the boy from the girl in a look-alike pair and the real flower from an identical artificial flower. Solomon replies that the girl will catch the apple in the lap of her dress and the bee will go only to the real flower. The figure of Solomon shows the influence of the Upper Rhenish engraver Master E.S. The unusual and extensive use of Ghiordes knot in the costumes and in the hair of Solomon is thought to be characteristic of Strasbourg workshops.Please note that this object is exhibited on a rotating basis, due to conservation requirements.. Two Riddles of the Queen of Sheba 465954
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BATAILLE, Nicolas (14th c.). The beheaded lamb. 1375-1382. 7th scene of the Angers Apocalyse Tapestry, commissioned by the Duke Louis of Anjou. Gothic art. Tapestry. FRANCE. PAYS DE LA LOIRE. MAINE-ET-LOIRE. Angers. Angers Castle.
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French wedding casket (detail) depicting medieval Knights on horseback and a king hunting with a falcon. Painted, wood. 12th century. From Vannes, France
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Violin and Lute Players from a set of five Grotesques designed ca. 1688, woven ca. 1690-1711 Jean-Baptiste Monnoyer French Presenting musicians within a fanciful architectural setting, this tapestry is from a set known as the Berain Grotesques, in reference to the pervasive stylistic influence of Jean Berain (1640-1711), who may even have provided preliminary sketches. The Classical architecture, flora, fauna and figures against the blank ground was in emulation of the Roman wall-paintings excavated in the subterranean chambers of Nero's palace in Rome (erroneously called 'grotti', hence 'grotesques'.) The light-hearted subject matter and whimsical design contrast with the heavier, ornate style that had characterized French tapestry during the third quarter of the seventeenth century. The series enjoyed immense popularity during the late seventeenth and early eighteenth centuries, and the Beauvais workshop produced many weavings for international clients.. Violin and Lute Players from
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Devonshire Hunting Tapestries, 15th century. Artist: Unknown
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Counselors visit the glass exhibition of El Borne on the first day of the year. Tapestry (1929). of Aymat House (Sant Cugat del Valle´s), on a carton of Catalan modernist painter Fe´lix Borrell Mestres (1872-1933). Barcelona City Council. Catalonia. Spain.
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AZULEJO. Location: PALACIO EPISCOPAL. Malaga. SPANIEN.
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Oil and gold leaf triptych with scenes from the apocalypse by Master Betram (active 1367-1414) a German International Gothic painter. Dated 14th Century
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Section of an Embroidered Frieze: Rebecca Meeting Isaac, Abigail Meeting David with a Present, The Judgment of Solomon, 1625-1649. England, Period of Charles I (1625-1649), 17th century. Petit-point embroidery; wool and silk; overall: 43.2 x 164.8 cm (17 x 64 7/8 in.).
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Numerous themes - here a series of dynamic portraits at Bhageat haveli - are expressed on the walls of Shekhawati's celebrated painted mansions.
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Wall hanging depicting episodes from Tristian and Isolde, the tale of doomed love. Dated 14th Century
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Apocalypse of Angers. Fourth Trumpeter: The Eagle of Misfortune. No. 23. Nicolas Bataille (C. 1363-1400/French) Museum of Tapestries, Angers, France
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Textile; cotton
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The Trojan War: Achilles' Tent. ca. 1470. Right detail. Hector says goodbye to his father, the King Priam, before the fight. Sixth cloth of the series, work of the Master of Cotivy, Henry or Conrard of Vulcop (active 1454-1479). Manufacturing of Tournai. Wool and silk. 6/7 threads per cm. 467 x. Flemish art. Tapestry. SPAIN. CASTILE AND LEON. Zamora. Cathedral Museum.
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Julius Caesar and Attendants (from the Nine Heroes Tapestries) ca. 1400-1410 South Netherlandish This tapestry is part of four hangings that have been reconstructed from what originally was a set of three tapestries depicting the Nine (or Ten) Worthies. The heroes depicted included King Arthur, Joshua, David, Hector of Troy, and Julius Caesar, along with various attendants. One of the reconstructed hangings (32.130.2b, 47.101.1, 47.152) shows two of the three Hebrew Worthies in their settings and with nearly all of their attendant figures. Another represents King Arthur (32.130.2a, 47.101.4), one of the three or possibly four figures that appeared in the original tapestry devoted to the Christian Worthies, together with some attendant figures. The third and fourth pieces represent respectively Hector of Troy (47.101.2) and Julius Caesar (47.101.3), with attendant, taken from a third tapestry that depicted the three Pagan Worthies. Other fragments (47.101.5 and 49.123), showing archite
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Ste. Mary Song # 187. The King of Granada besieges the castle of Chincoya Asalto al castillo de Chincoya por el rey de Granada. 13th century. Madrid, Library of the Monastery of El Escorial. Author: ALFONSO X EL SABIO (1221-1284). Location: MONASTERIO-BIBLIOTECA-COLECCION. SAN LORENZO DEL ESCORIAL. MADRID. SPAIN.
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German 15th Century, The Adoration of the Magi, c. 1470-1480, metalcut, hand-colored in yellow, red-brown lake, and green
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DETAILS
Image Number: 160-1694ARights ManagedCredit Line:Yagi Studio/SuperStockCollection:Yagi StudioStory:Medieval and Renaissance TapestriesModel Release:NoProperty Release:NoResolution:5198×3459
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