Design for the right half of a chimneypiece. Artist: Anonymous, Italian, 17th century. Dimensions: 11 7/16 x 3 5/16 in. (29 x 8.4 cm) maximum dimensions; strip has been added to the top. Date: 17th century.By the seventeenth century, chimneypieces had become an important object of design within the interior. Examples in late Renaissance and early Baroque styles were often highly sculptural, heavily ornate and very colorful feats of design bravura. The love for the theatrical, which characterized the Baroque period, meant that a certain level of monumentality was pursued. In that respect, these two drawings show designs of a relatively modest nature, although colored marbled and gilding could transform their final look dramatically. Museum: Metropolitan Museum of Art, New York, USA.

Design for the right half of a chimneypiece. Artist: Anonymous, Italian, 17th century. Dimensions: 11 7/16 x 3 5/16 in. (29 x 8.4 cm) maximum dimensions; strip has been added to the top. Date: 17th century.By the seventeenth century, chimneypieces had become an important object of design within the interior. Examples in late Renaissance and early Baroque styles were often highly sculptural, heavily ornate and very colorful feats of design bravura. The love for the theatrical, which characterized the Baroque period, meant that a certain level of monumentality was pursued. In that respect, these two drawings show designs of a relatively modest nature, although colored marbled and gilding could transform their final look dramatically. Museum: Metropolitan Museum of Art, New York, USA.
SuperStock offers millions of photos, videos, and stock assets to creatives around the world. This image of Design for the right half of a chimneypiece. Artist: Anonymous, Italian, 17th century. Dimensions: 11 7/16 x 3 5/16 in. (29 x 8.4 cm) maximum dimensions; strip has been added to the top. Date: 17th century.By the seventeenth century, chimneypieces had become an important object of design within the interior. Examples in late Renaissance and early Baroque styles were often highly sculptural, heavily ornate and very colorful feats of design bravura. The love for the theatrical, which characterized the Baroque period, meant that a certain level of monumentality was pursued. In that respect, these two drawings show designs of a relatively modest nature, although colored marbled and gilding could transform their final look dramatically. Museum: Metropolitan Museum of Art, New York, USA. by Album/Metropolitan Museum of Art, NY/Album Archivo is available for licensing today.
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Image Number: 4409-17398755Rights ManagedCredit Line:Album/Metropolitan Museum of Art, NY/Album Archivo/SuperStockCollection:Album ArchivoContributor:Album / Metropolitan Museum of Art, NYModel Release:NoProperty Release:NoResolution:1363×4553
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