December 1931. NAVE OF THE CATHEDRAL.-APPROXIMATE DATE.-Located at the foot of the temple. The choir rises on five stairs and is an excellent work of the Spanish Renaissance, with a late Gothic and Plateresque character. It was financed by Bishop Fonseca and it is known exactly that Juan de Ruesga worked on it back in the year 1513. Full of canopies, stone lace, niches with figures of saints, the reliefs of the Martyrdom of Saint Ignatius and the Lactation of Saint stand out. Bernardo, both from Francisco del Rincón. In the center is the triptych of the Seven Sorrows of the Virgin, an excellent example of Flemish painting, the work of the master Jan Joest, who portrays the client on the central panel next to the Virgin and Saint John. In front of this stone altarpiece is the staircase that gives access to the crypt of San Antolín, and, close to it, the excellent pulpit, made of non-polychrome wood, the work of some of the most prominent disciples of Alonso Berruguete, marking the inter