De Bard.

De Bard.
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4443-19605258
Whitehaven, Cumberland, W. R. Smith, active 1819-1851, after Joseph Mallord William Turner, 1775-1851, British, 1837, Line engraving, 3rd state on moderately thick, smooth, cream, wove paper, Sheet: 10 7/8 × 14 15/16 inches (27.6 × 37.9 cm), Plate: 10 1/16 × 13 inches (25.6 × 33 cm), and Image: 6 5/8 × 9 7/8 inches (16.8 × 25.1 cm)
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6145-30337359
S. Fisher, active 1831-1844, Coventry, Warwickshire, 1827-1838. Line engraving, engraver's proof.
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6145-51844519
Joseph Mallord William Turner, From Spenser's Fairy Queen, June 1811, Etching and mezzotint printed in brown inks.
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4443-19605249
Llanthony, Monmouthshire, James T. Willmore, 1800-1863, British, after Joseph Mallord William Turner, 1775-1851, British, 1836, Line engraving and stipple engraving, 3rd state on moderately thick, slightly textured, cream, wove paper, Sheet: 11 × 14 7/8 inches (27.9 × 37.8 cm), Plate: 9 9/16 × 12 1/8 inches (24.3 × 30.8 cm), and Image: 6 5/8 × 9 7/16 inches (16.8 × 24 cm)
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4443-19599546
From Spenser's Fairy Queen, Etched by Joseph Mallord William Turner, 1775-1851, British, Engraved by Thomas Hodgetts, active 1801-1846, after Joseph Mallord William Turner, 1775-1851, British, 1811, Etching and mezzotint, printed in brown ink Second published state on medium, slightly textured, cream wove paper, Sheet: 11 × 15 5/8 inches (27.9 × 39.7 cm), Plate: 8 1/4 × 11 3/8 inches (21 × 28.9 cm), and Image: 7 1/8 × 10 3/8 inches (18.1 × 26.4 cm)
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6145-30332419
Edward Francis Finden, 1791-1857, British, Bally-Burgh Ness, 1836. Line engraving, engraver's proof, touched.
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6145-30334934
Print made by Thomas Goff Lupton, 1791-1873, British, Folkstone, ca. 1830. Mezzotint; 1879 impression.
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6145-30349958
imitator of Thomas Gainsborough RA, 1727-1788, British, Coastal Scene with Figures and Boats, undated. Gray wash, brush and black ink, black chalk, heightened with white chalk on medium, slightly textured, beige laid paper.
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4443-19593666
Bridport, Dorsetshire, Print made by William Bernard Cooke, 1778-1855, British, after Joseph Mallord William Turner, 1775-1851, British, 1820, Etching; open etching on medium, slightly textured, cream wove paper, Sheet: 11 3/4 × 17 inches (29.8 × 43.2 cm), Plate: 9 × 12 inches (22.9 × 30.5 cm), and Image: 6 1/2 × 9 5/8 inches (16.5 × 24.4 cm)
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4443-19605235
Laugharne Castle, John Horsburgh, 1791-1869, British, after Joseph Mallord William Turner, 1775-1851, British, 1833, Line engraving, 1st state on thick, slightly textured, cream, wove paper, with cream, chine colle, Sheet: 9 5/16 × 11 7/8 inches (23.7 × 30.2 cm) and Image: 6 11/16 × 9 7/16 inches (17 × 24 cm)
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6145-59435155
Air, Reinier Nooms, 1689 - 1720 print Sailing ships on a restless sea near a coast with windmills. Cumulus clouds and a rain shower in the air. print maker: Netherlandspublisher: Amsterdam paper etching / drypoint air (one of the four elements). sea (seascape). nimbus, i.e. rain clouds
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4443-19594178
'It's Auld Ailie Hersell', James Charles Armytage, 1802-1897, British, after Joseph Mallord William Turner, 1775-1851, British, 1836, Line engraving, engraver's proof
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4443-19605279
Mount St. Michael, Cornwall, S. Fisher, active 1831-1844, after Joseph Mallord William Turner, 1775-1851, British, 1838, Line engraving, 3rd state on moderately thick, slightly textured, cream, wove paper, Sheet: 11 × 15 1/8 inches (27.9 × 38.4 cm), Plate: 9 9/16 × 12 5/8 inches (24.3 × 32.1 cm), and Image: 6 9/16 × 9 1/2 inches (16.7 × 24.1 cm)
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4409-17426854
Refitting of a Ship at Low Tide. Artist: Eugène Isabey (French, Paris 1803-1886 Lagny). Dimensions: Sheet: 18 7/8 × 13 1/8 in. (48 × 33.3 cm)Image: 14 9/16 × 11 9/16 in. (37 × 29.3 cm). Printer: Charles Motte (French, 1785-1836). Publisher: McLean & Co.; Victor Morlot (French, active Paris, 1829-32). Series/Portfolio: Six Marines. Date: 1833.Ship moored inside a port on left of composition with figures and homes on right; first state, with publication detail.This print is part of a series of lithographs by Eugène Isabey printed by Charles Motte and published by McLean in a book entitled 'Six Marines dessinés sur Pierre' (Six Marinescapes drawn on stone) which featured studies of shipping and coast towns. Museum: Metropolitan Museum of Art, New York, USA.
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6145-29227404
Spring 1829 David Lucas British In 1827, Constable began work on the project that would occupy his attention until his death seven years later: the publication of a series of prints based on his paintings that would stand as a summary of his achievements. The painter collaborated closely with the engraver David Lucas to create prints that would illustrate Constable's didactic intentionto illustrate the "chiaroscuro of nature." The medium of mezzotint, in which the design is developed from dark to light using a wide range of velvety tones, was eminently suited to the project.. Spring. David Lucas (British, Northamptonshire 1802-1881 London). 1829. Mezzotint; proof before published state. Prints
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6145-46317955
Ship in need for a coast. At night or night people are saved from a ship in need on a stormy sea. A castle in the background. Leaf 11 Recto from a sketchbook with 44 sheets.
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6145-29844736
Francis Seymour Haden, Harlech (No2), 1880 Harlech (No.2)
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6145-29208079
Macbeth 1828 Thomas Goff Lupton British. Macbeth 373629
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4443-19594705
Blenheim, Oxfordshire, William Radclyffe, 1780-1855, British, after Joseph Mallord William Turner, 1775-1851, British, 1827-1838, Line engraving, engraver's proof (touched)
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6145-30320828
Print made by Samuel Palmer, 1805-1881, British, active in Italy (1837-39), The Homeward Star, begun ca. 1880. Etching and drypoint, with plate tone on thin, slightly textured, cream laid paper.
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6145-30332396
James Charles Armytage, 1802-1897, British, 'It's Auld Ailie Hersell', 1836. Line engraving, first published state.
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Image Number: 6145-45672811Royalty FreeCredit Line:Piemags/PL Photography Limited/SuperStockCollection:PL Photography LimitedStory:Dramatic Landscapes and StructuresContributor:PiemagsModel Release:NoProperty Release:NoResolution:3000×2366