The Crucifixion ca. 1400 Stefano da Verona (Stefano di Giovanni d'Arbosio di Francia) This deeply affective work combines an austerity in the composition with an elegance in the description of the figures that is characteristic of painting at the cosmopolitan court in Milan under Duke Gian Galeazzo Visconti (1351-1402). Stefano da Verona was a leading exponent of this refined style, which owes much to sculpture and to French miniature painting. The delicately tooled gold background emulates expensive goldsmith work (the thornless roses are emblems of the Virgin Mary). Note the expressions and eloquently varied gestures of grief.. The Crucifixion. Stefano da Verona (Stefano di Giovanni d'Arbosio di Francia) (Italian, Paris or Pavia ca. 1374/75-after 1438 Verona). ca. 1400. Tempera on wood, gold ground. Paintings

The Crucifixion ca. 1400 Stefano da Verona (Stefano di Giovanni d'Arbosio di Francia) This deeply affective work combines an austerity in the composition with an elegance in the description of the figures that is characteristic of painting at the cosmopolitan court in Milan under Duke Gian Galeazzo Visconti (1351-1402). Stefano da Verona was a leading exponent of this refined style, which owes much to sculpture and to French miniature painting. The delicately tooled gold background emulates expensive goldsmith work (the thornless roses are emblems of the Virgin Mary). Note the expressions and eloquently varied gestures of grief.. The Crucifixion. Stefano da Verona (Stefano di Giovanni d'Arbosio di Francia) (Italian, Paris or Pavia ca. 1374/75-after 1438 Verona). ca. 1400. Tempera on wood, gold ground. Paintings
SuperStock offers millions of photos, videos, and stock assets to creatives around the world. This image of The Crucifixion ca. 1400 Stefano da Verona (Stefano di Giovanni d'Arbosio di Francia) This deeply affective work combines an austerity in the composition with an elegance in the description of the figures that is characteristic of painting at the cosmopolitan court in Milan under Duke Gian Galeazzo Visconti (1351-1402). Stefano da Verona was a leading exponent of this refined style, which owes much to sculpture and to French miniature painting. The delicately tooled gold background emulates expensive goldsmith work (the thornless roses are emblems of the Virgin Mary). Note the expressions and eloquently varied gestures of grief.. The Crucifixion. Stefano da Verona (Stefano di Giovanni d'Arbosio di Francia) (Italian, Paris or Pavia ca. 1374/75-after 1438 Verona). ca. 1400. Tempera on wood, gold ground. Paintings by Piemags/PL Photography Limited is available for licensing today.
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Image Number: 6145-29241221Royalty FreeCredit Line:Piemags/PL Photography Limited/SuperStockCollection:PL Photography LimitedContributor:PiemagsModel Release:NoProperty Release:NoResolution:2560×4000
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