The Crucifixion. Artist: Francesco Granacci (Francesco di Andrea di Marco) (Italian, Villamagna 1469-1543 Florence). Dimensions: Central panel 19 x 11 1/2 in. (48.3 x 29.2 cm); each wing 19 x 6 in. (48.3 x 15.2 cm). Date: ca. 1510.Painted around 1500-1510, this exquisite triptych was intended for private devotion (an old inventory label on the back indicates that at one time it belonged to the Stiozzi Ridolfi family). When closed, it could be easily transported. When opened, it offered three scenes for meditation relating to death, resurrection, and the Last Judgment (note how one of the resurrected figures in the Last Judgment looks directly out at the viewer). Although the figure scale is not consistent, the northern-inspired landscape is continuous in all three panels. The scene of the Last Judgment, in which Christ indicates the wound in his side and the Virgin pleads prayerfully to him, recalls a celebrated fresco by Fra Bartolomeo (Museo di San Marco, Florence) and the strongly

The Crucifixion. Artist: Francesco Granacci (Francesco di Andrea di Marco) (Italian, Villamagna 1469-1543 Florence). Dimensions: Central panel 19 x 11 1/2 in. (48.3 x 29.2 cm); each wing 19 x 6 in. (48.3 x 15.2 cm). Date: ca. 1510.Painted around 1500-1510, this exquisite triptych was intended for private devotion (an old inventory label on the back indicates that at one time it belonged to the Stiozzi Ridolfi family). When closed, it could be easily transported. When opened, it offered three scenes for meditation relating to death, resurrection, and the Last Judgment (note how one of the resurrected figures in the Last Judgment looks directly out at the viewer). Although the figure scale is not consistent, the northern-inspired landscape is continuous in all three panels. The scene of the Last Judgment, in which Christ indicates the wound in his side and the Virgin pleads prayerfully to him, recalls a celebrated fresco by Fra Bartolomeo (Museo di San Marco, Florence) and the strongly
SuperStock offers millions of photos, videos, and stock assets to creatives around the world. This image of The Crucifixion. Artist: Francesco Granacci (Francesco di Andrea di Marco) (Italian, Villamagna 1469-1543 Florence). Dimensions: Central panel 19 x 11 1/2 in. (48.3 x 29.2 cm); each wing 19 x 6 in. (48.3 x 15.2 cm). Date: ca. 1510.Painted around 1500-1510, this exquisite triptych was intended for private devotion (an old inventory label on the back indicates that at one time it belonged to the Stiozzi Ridolfi family). When closed, it could be easily transported. When opened, it offered three scenes for meditation relating to death, resurrection, and the Last Judgment (note how one of the resurrected figures in the Last Judgment looks directly out at the viewer). Although the figure scale is not consistent, the northern-inspired landscape is continuous in all three panels. The scene of the Last Judgment, in which Christ indicates the wound in his side and the Virgin pleads prayerfully to him, recalls a celebrated fresco by Fra Bartolomeo (Museo di San Marco, Florence) and the strongly by Album/Metropolitan Museum of Art, NY/Album Archivo is available for licensing today.
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DETAILS
Image Number: 4409-17380246Rights ManagedCredit Line:Album/Metropolitan Museum of Art, NY/Album Archivo/SuperStockCollection:Album ArchivoContributor:Album / Metropolitan Museum of Art, NYModel Release:NoProperty Release:NoResolution:4060×3411
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