Crows and Bare Trees in Winter. Artist: Unidentified Artist Chinese. Culture: China. Dimensions: Overall with mounting: 16 3/8 x 14 11/16 in. (41.6 x 37.3 cm). Date: late 13th or early 14th century.In this small landscape, groves of straight trees stand in snow. A pale, thin river threads its way to the horizon. This painting and others of austere wintry scenes may reflect the traditional Chinese belief that the natural world responds to human affairs. The twelfth-century historian Liu Zheng commented.The feelings of mountains and streams, grassesand trees, are not far from those of humans,and it is wrong to think of them as non sentient.That a stream should dry up in times of disorder is an ordinary, natural reaction. Museum: Metropolitan Museum of Art, New York, USA.

Crows and Bare Trees in Winter. Artist: Unidentified Artist Chinese. Culture: China. Dimensions: Overall with mounting: 16 3/8 x 14 11/16 in. (41.6 x 37.3 cm). Date: late 13th or early 14th century.In this small landscape, groves of straight trees stand in snow. A pale, thin river threads its way to the horizon. This painting and others of austere wintry scenes may reflect the traditional Chinese belief that the natural world responds to human affairs. The twelfth-century historian Liu Zheng commented.The feelings of mountains and streams, grassesand trees, are not far from those of humans,and it is wrong to think of them as non sentient.That a stream should dry up in times of disorder is an ordinary, natural reaction. Museum: Metropolitan Museum of Art, New York, USA.
SuperStock offers millions of photos, videos, and stock assets to creatives around the world. This image of Crows and Bare Trees in Winter. Artist: Unidentified Artist Chinese. Culture: China. Dimensions: Overall with mounting: 16 3/8 x 14 11/16 in. (41.6 x 37.3 cm). Date: late 13th or early 14th century.In this small landscape, groves of straight trees stand in snow. A pale, thin river threads its way to the horizon. This painting and others of austere wintry scenes may reflect the traditional Chinese belief that the natural world responds to human affairs. The twelfth-century historian Liu Zheng commented.The feelings of mountains and streams, grassesand trees, are not far from those of humans,and it is wrong to think of them as non sentient.That a stream should dry up in times of disorder is an ordinary, natural reaction. Museum: Metropolitan Museum of Art, New York, USA. by Album/Metropolitan Museum of Art, NY/Album Archivo is available for licensing today.
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Image Number: 4409-17399481Rights ManagedCredit Line:Album/Metropolitan Museum of Art, NY/Album Archivo/SuperStockCollection:Album ArchivoContributor:Album / Metropolitan Museum of Art, NYModel Release:NoProperty Release:NoResolution:4046×3416
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