Crowd at the Seashore. Artist: William James Glackens (American, Philadelphia, Pennsylvania 1870-1938 Westport, Connecticut). Dimensions: 25 x 30 in. (63.5 x 76.2 cm). Date: ca. 1910.Like his fellow urban realists, Glackens was drawn to Coney Island, and this painting may depict the democratic throngs that gathered there. The number and variety of beachgoers suggest the socioeconomic diversity of New York, and imbue the painting with a lively, modern spirit. To heighten the scene's energy, Glackens used a vibrant palette and vigorous brushwork, applying saturated oranges and blues to evoke the midday sun's heat and glare. Beach scenes became a popular theme for Glackens, especially as a way to experiment with a certain kind of impressionist painting, inspired by Auguste Renoir, who his friend Albert Barnes collected in depth. Museum: Metropolitan Museum of Art, New York, USA.

Crowd at the Seashore. Artist: William James Glackens (American, Philadelphia, Pennsylvania 1870-1938 Westport, Connecticut). Dimensions: 25 x 30 in. (63.5 x 76.2 cm). Date: ca. 1910.Like his fellow urban realists, Glackens was drawn to Coney Island, and this painting may depict the democratic throngs that gathered there. The number and variety of beachgoers suggest the socioeconomic diversity of New York, and imbue the painting with a lively, modern spirit. To heighten the scene's energy, Glackens used a vibrant palette and vigorous brushwork, applying saturated oranges and blues to evoke the midday sun's heat and glare. Beach scenes became a popular theme for Glackens, especially as a way to experiment with a certain kind of impressionist painting, inspired by Auguste Renoir, who his friend Albert Barnes collected in depth. Museum: Metropolitan Museum of Art, New York, USA.
SuperStock offers millions of photos, videos, and stock assets to creatives around the world. This image of Crowd at the Seashore. Artist: William James Glackens (American, Philadelphia, Pennsylvania 1870-1938 Westport, Connecticut). Dimensions: 25 x 30 in. (63.5 x 76.2 cm). Date: ca. 1910.Like his fellow urban realists, Glackens was drawn to Coney Island, and this painting may depict the democratic throngs that gathered there. The number and variety of beachgoers suggest the socioeconomic diversity of New York, and imbue the painting with a lively, modern spirit. To heighten the scene's energy, Glackens used a vibrant palette and vigorous brushwork, applying saturated oranges and blues to evoke the midday sun's heat and glare. Beach scenes became a popular theme for Glackens, especially as a way to experiment with a certain kind of impressionist painting, inspired by Auguste Renoir, who his friend Albert Barnes collected in depth. Museum: Metropolitan Museum of Art, New York, USA. by Album/Album Archivo is available for licensing today.
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Image Number: 4409-17382879Rights ManagedCredit Line:Album/Album Archivo/SuperStockCollection:Album ArchivoContributor:AlbumModel Release:NoProperty Release:NoResolution:5894×4878
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