Cremorne Gardens, No. 2 ca. 1870-80 James McNeill Whistler American The progressive expatriate James McNeill Whistler is associated with the "art for arts sake" philosophy, which privileged artistic form over content. Yet his subjects were often seen to be as radical as his ethereal color harmonies. In this so-called nocturne, painted in Londons Cremorne Gardens (near his Chelsea home-studio), Whistler explores the theme of modern life embraced by many of his European associates, especially the French Impressionists. An elegant, manicured park that drew fashionable strollers during the daytime hours, the Gardens at night became a site for lively music, dancing, and fireworks, frequented by a broader range of classes. Listen to experts illuminate this artwork's story Listen Play or pause #4587. Cremorne Gardens, No. 2 Supported by Bloomberg Philanthropies We're sorry, the transcript for this audio track is not available at this time. We are working to make it available as soon as poss

Cremorne Gardens, No. 2 ca. 1870-80 James McNeill Whistler American The progressive expatriate James McNeill Whistler is associated with the "art for arts sake" philosophy, which privileged artistic form over content. Yet his subjects were often seen to be as radical as his ethereal color harmonies. In this so-called nocturne, painted in Londons Cremorne Gardens (near his Chelsea home-studio), Whistler explores the theme of modern life embraced by many of his European associates, especially the French Impressionists. An elegant, manicured park that drew fashionable strollers during the daytime hours, the Gardens at night became a site for lively music, dancing, and fireworks, frequented by a broader range of classes. Listen to experts illuminate this artwork's story Listen Play or pause #4587. Cremorne Gardens, No. 2 Supported by Bloomberg Philanthropies We're sorry, the transcript for this audio track is not available at this time. We are working to make it available as soon as poss
SuperStock offers millions of photos, videos, and stock assets to creatives around the world. This image of Cremorne Gardens, No. 2 ca. 1870-80 James McNeill Whistler American The progressive expatriate James McNeill Whistler is associated with the "art for arts sake" philosophy, which privileged artistic form over content. Yet his subjects were often seen to be as radical as his ethereal color harmonies. In this so-called nocturne, painted in Londons Cremorne Gardens (near his Chelsea home-studio), Whistler explores the theme of modern life embraced by many of his European associates, especially the French Impressionists. An elegant, manicured park that drew fashionable strollers during the daytime hours, the Gardens at night became a site for lively music, dancing, and fireworks, frequented by a broader range of classes. Listen to experts illuminate this artwork's story Listen Play or pause #4587. Cremorne Gardens, No. 2 Supported by Bloomberg Philanthropies We're sorry, the transcript for this audio track is not available at this time. We are working to make it available as soon as poss by Piemags/PL Photography Limited is available for licensing today.
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Image Number: 6145-29733949Royalty FreeCredit Line:Piemags/PL Photography Limited/SuperStockCollection:PL Photography LimitedContributor:PiemagsModel Release:NoProperty Release:NoResolution:3811×1950
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