Creation 18th Century Engraving

Creation 18th Century Engraving
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Victory of the Kingdom of Christ, Jacob Neefs, After David Herregouts, 1649 print Christ travels as king in heaven and from the wound in his side flows blood into a chalice, which is held by an angel and the Personified Church. The chalice with the blood of Christ flows over and stands on a rich apple. Under the Rijksappen, evil, a chaining man and woman with a snake and death, is crushed. In heaven, male saints worship, most of them with monstrances and chalices in their hand, the lamb. The performance depicts the victory of Christ's kingdom of death and evil. Antwerp paper engraving angel(s) catching Christ's blood in cup(s). 'Ecclesia' and 'Synagoga' ~ crucified Christ: 'Ecclesia' catches Christ's blood in her chalice. adoration of the Lamb (by a multitude in white robes)
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6145-54591706
Woodcut by Lucas Cranach the Younger depicting the baptism of Christ, in three prints (A-C) around 1550, showing figures, gestures, and river setting.
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John Baptist Jackson after Veronese, The Presentation in the Temple (The Circumcision), 1739 The Presentation in the Temple (The Circumcision)
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Laurent de La Hyre drawing in black chalk and brown wash depicting the charity of Saint Norbert.
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6145-59577786
Jerobeam en de profeet Achia, Hans Collaert (I) (attributed to), after Ambrosius Francken (I), 1585 print The prophet Achia has torn his cloak in twelve pieces and hands ten pieces to JeroBeam. The torn cloak symbolizes the split of the Jewish people. JeroBeam became king of ten of the twelve tribes. Under the show a reference in Latin to the Bible text in 1 Kon. 11. This print is part of an album. paper engraving meeting of Jeroboam and the prophet Ahijah; Ahijah rends his garment in twelve pieces, ten of which he gives to Jeroboam
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6145-59403661
Time rewards work and punishes the laziness, Raphaël Sadeler (I), After Maerten de Vos, 1582 print Father time as an old man with an hourglass on the head. He gives a scepter, a crown and a book to the personification of work, a man with a spade in his hand. There are different vegetables around work. Father Time gives a stick and a selection to the personification of laziness, a man in the right front land that is sleeping. In the background on the left a prosperous region and on the right poor huts, dead trees and a gallows field. The print has a Latin caption. Frankfurt paper engraving Sloth, Indolence, 'Acedia', 'Desidia'; 'Accidia' (Ripa) ~ personification of one of the Seven Deadly Sins. Time rewarding Industry and punishing Sloth. Father Time, man with wings and scythe. Labour
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6145-59701274
Simson Vecht with a Lion, Gilliam van der Gouwen, After Gerard Hoet (I), 1728 print Simson fights with a lion near the vineyards of Timna (Ri. 14: 5-6). In the background are parents who don't notice anything. The print has a Hebrew, Latin, French, English, German and Dutch caption. print maker: Amsterdampublisher: The Hague paper engraving / etching Samson kills the lion with his bare hands
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4443-21189873
William Blake, British (1757-1827), Job and His Daughters, 1825, engraving
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4266-21637123
The Lovers and death (The walk), Dürer, Albrecht (1471-1528)
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6145-50502612
Print, Projet de Sculpture en Argent d'un Grand Surtout de Table et les Deux Terrines...Executée pour Millord Kinston (sic) en 1735 (Design for Centerpiece and Two Tureens for the Duke of Kingston in 1735) plate 115 in Œuvre de Juste-Aurèle Meissonnier; Designed by Juste-Aurèle Meissonnier (French, b. Italy, 1695-1750); Etched by Gabriel Huquier (French, 1695-1772); France; etching on off-white laid paper; Open: 61 × 88.9 × 5.1 cm (24 × 35 × 2 in.) Platemark: 38.1 × 64.1 cm (15 in. × 25 1/4 in.)
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6145-45708146
Evangelical Jubel Print at the second centenary of the Reformation, 1717. Evangelical Jubel Print in the celebration of the second centenary of the Reformation, 31 October 1717. Central representation with Luther and Melanchton at an altar on which the Divine fire burns the false leather, in a frame Decorated with portraits of Hus and Luther, three scenes from Luther's life, biblical leaders and the personnifies of truth, faith, hope, love and steadfastness. Printed on the blade on either side of the plate the explanation of the show.
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6145-59562447
Exercise and Arts (Ars / Usus), Hendrick Golkzius, 1582 print Naked woman with wings sitting on globe next to man who writes on board. Meeting tools at their feet. Print from a series of four. Two lines of Latin and two lines of Dutch under each print from this series. paper engraving Practice; 'Prattica' (Ripa). symbolic representations, allegories and emblems ~ art; 'Arte' (Ripa)
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4443-19536072
Sheet from a Sketchbook: Minerva Asking Jupiter for the Happiness of Ulysses or Minerva Questions Jupiter on the Destiny of Ithaca, Felice Giani, Italian, 1758-1823, Pen and brown ink, brush and brown wash, traces of graphite, Minerva is shown kneeling before Jupiter who leans toward her and touches her chin. Juno sits beside Jupiter. Other gods are in the background at left., Italy, 1802-05, wallpaper designs, Drawing, Drawing
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6145-59466151
Abraham an Isaak offers the RAM, Bernard Picart (workshop), after Bernard Picart, 1683 - 1733 print Abraham thanks his hands when he sacrifices the Ram instead of his son Isaac. Isaac kneels at the altar. In the middle of a reference to the Bible text in Gen. 22:13. The show is caught in an ornamental list. Amsterdam paper etching / engraving a ram caught in a thicket is sacrificed instead of Isaac
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6145-52790714
Copper engraving by Jacob Matham around 1597 depicting Christ on the cross, showing religious figures and traditional Christian iconography.
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Della Bella, Stefano (dit Étienne de la Belle) (n.1610-05-18-D.1664-08-22), four pagan gods mounted each on his tank: four pieces after Raphaël, Diane. Fourth piece (A. de Vesme CVIII (third section, dubious pieces and pieces whose engraving or drawing is tackly assigned to Della Bella), Dutuit 34) (main title). Etching. Petit Palais, Museum of Fine Arts of the City of Paris.
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6145-59420649
Five happy mysteries, Antonie Wierix (II), 1605 - 1619 print Palm tree with Mary in the middle with the Christ child. There is a rosary on the tree with five medallions in which a mystery is depicted. At the top of the Annunciation, and then from left to right, the visitation, the birth of Christ, the presentation in the temple and Christ with the scribes. Antwerp paper engraving the (fifteen) secrets of the rosary. Madonna: Mary sitting or enthroned, the Christ-child in her lap (or in front of her bosom) (Mary sometimes represented half-length). the Annunciation: Mary kneeling. Visitation (possibly Joseph and/or Zacharias present) (Luke 1:39-56). adoration of the Christ-child by Mary. presentation of the Christ-child in the temple, usually Simeon (and Anna) present (Luke 2:22-39). Christ's dispute with the doctors in the temple; he counts his arguments on his fingers
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6145-59671323
Judith shows the head of Holofernes to the people, Jakob Frey (I), After Domenichino, 1718 - 1719 print With caption in Latin. Rome paper engraving Judith with Holofernes' head and the sword
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1060-760
Frontispiece to Atlas Novus 1728 Johann Baptist Homann 18th Century The Huntington Library, Art Collections, and Botanical Gardens, San Marino, California
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6145-29243758
Aiding the wounded after a battle 1635-60 Jacques Courtois. Aiding the wounded after a battle. Combats et batailles (Combats and battles). Jacques Courtois (French, Saint-Hippolyte 1621-1676 Rome). 1635-60. Etching. Prints
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Image Number: 1047-254Rights ManagedCredit Line:Stock Montage/SuperStockCollection:Stock MontageStory:Historical Religious ArtModel Release:NoProperty Release:NoResolution:4624×6123
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