Cranes, Peach Tree, and Chinese Roses early 18th century After Shen Quan Chinese Because of their association with immortals, both cranes and peaches are symbolic of longevity. The crane is often shown carrying an immortal on its back, and mythical peaches of immortality grow in the orchard of Xiwangmu, the queen mother of the West. The cranes and peaches thus evoke an isle of the immortalsperhaps Penglai (Japanese: H?rai), an auspicious paradise frequently depicted throughout East Asia. In 1731 the Chinese artist Shen Nanpin went to Nagasaki to teach Japanese students the traditional Chinese style of realistic painting, resulting in the establishment of the Nagasaki school. Even after Nanpin returned to China, many works in his style continued to be imported into Japan, influencing painting styles there into the late Edo period.. Cranes, Peach Tree, and Chinese Roses. After Shen Quan (Chinese, 1682-after 1762). China. early 18th century. Hanging scroll; ink and color on silk. Qing dy

Brand: PL Photography Limited
SKU: 6145-29835334
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Cranes, Peach Tree, and Chinese Roses early 18th century After Shen Quan Chinese Because of their association with immortals, both cranes and peaches are symbolic of longevity. The crane is often shown carrying an immortal on its back, and mythical peaches of immortality grow in the orchard of Xiwangmu, the queen mother of the West. The cranes and peaches thus evoke an isle of the immortalsperhaps Penglai (Japanese: H?rai), an auspicious paradise frequently depicted throughout East Asia. In 1731 the Chinese artist Shen Nanpin went to Nagasaki to teach Japanese students the traditional Chinese style of realistic painting, resulting in the establishment of the Nagasaki school. Even after Nanpin returned to China, many works in his style continued to be imported into Japan, influencing painting styles there into the late Edo period.. Cranes, Peach Tree, and Chinese Roses. After Shen Quan (Chinese, 1682-after 1762). China. early 18th century. Hanging scroll; ink and color on silk. Qing dy

SuperStock offers millions of photos, videos, and stock assets to creatives around the world. This image of Cranes, Peach Tree, and Chinese Roses early 18th century After Shen Quan Chinese Because of their association with immortals, both cranes and peaches are symbolic of longevity. The crane is often shown carrying an immortal on its back, and mythical peaches of immortality grow in the orchard of Xiwangmu, the queen mother of the West. The cranes and peaches thus evoke an isle of the immortalsperhaps Penglai (Japanese: H?rai), an auspicious paradise frequently depicted throughout East Asia. In 1731 the Chinese artist Shen Nanpin went to Nagasaki to teach Japanese students the traditional Chinese style of realistic painting, resulting in the establishment of the Nagasaki school. Even after Nanpin returned to China, many works in his style continued to be imported into Japan, influencing painting styles there into the late Edo period.. Cranes, Peach Tree, and Chinese Roses. After Shen Quan (Chinese, 1682-after 1762). China. early 18th century. Hanging scroll; ink and color on silk. Qing dy by Piemags/PL Photography Limited is available for licensing today.

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