Couch ca. 1837 Attributed to the Workshop of Duncan Phyfe Scottish The scrolled armrests at opposite ends of this couch (and its pair 66.221.2) encouraged comfortable reposeor even a midday nap. In the early nineteenth century, designers and furniture makers embraced a revival of Classical prototypes from ancient Greek and Roman architecture and decorative arts. The sleek, curvaceous lines, and dramatic, figural mahogany veneers of this couch characterize the distinct Grecian Plain style that emerged in the 1820s to 1840s during the revival period. American cabinetmakers were highly influenced by French interpretations of Classical forms that circulated in design books and periodicals, such as Pierre de La Mésangère's Collection de Meubles et Objets de Goût (1820-1831). This couch and its pair are part of an expansive suite of seating furniture attributed to the workshop of cabinetmaker Duncan Phyfe (see 66.221.1-.10 and 1972.264.1-.2). It was made to furnish a New York City townhouse

Couch ca. 1837 Attributed to the Workshop of Duncan Phyfe Scottish The scrolled armrests at opposite ends of this couch (and its pair 66.221.2) encouraged comfortable reposeor even a midday nap. In the early nineteenth century, designers and furniture makers embraced a revival of Classical prototypes from ancient Greek and Roman architecture and decorative arts. The sleek, curvaceous lines, and dramatic, figural mahogany veneers of this couch characterize the distinct Grecian Plain style that emerged in the 1820s to 1840s during the revival period. American cabinetmakers were highly influenced by French interpretations of Classical forms that circulated in design books and periodicals, such as Pierre de La Mésangère's Collection de Meubles et Objets de Goût (1820-1831). This couch and its pair are part of an expansive suite of seating furniture attributed to the workshop of cabinetmaker Duncan Phyfe (see 66.221.1-.10 and 1972.264.1-.2). It was made to furnish a New York City townhouse
SuperStock offers millions of photos, videos, and stock assets to creatives around the world. This image of Couch ca. 1837 Attributed to the Workshop of Duncan Phyfe Scottish The scrolled armrests at opposite ends of this couch (and its pair 66.221.2) encouraged comfortable reposeor even a midday nap. In the early nineteenth century, designers and furniture makers embraced a revival of Classical prototypes from ancient Greek and Roman architecture and decorative arts. The sleek, curvaceous lines, and dramatic, figural mahogany veneers of this couch characterize the distinct Grecian Plain style that emerged in the 1820s to 1840s during the revival period. American cabinetmakers were highly influenced by French interpretations of Classical forms that circulated in design books and periodicals, such as Pierre de La Mésangère's Collection de Meubles et Objets de Goût (1820-1831). This couch and its pair are part of an expansive suite of seating furniture attributed to the workshop of cabinetmaker Duncan Phyfe (see 66.221.1-.10 and 1972.264.1-.2). It was made to furnish a New York City townhouse by Piemags/PL Photography Limited is available for licensing today.
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Image Number: 6145-29718542Royalty FreeCredit Line:Piemags/PL Photography Limited/SuperStockCollection:PL Photography LimitedContributor:PiemagsModel Release:NoProperty Release:NoResolution:3863×2762
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