Classical Head in Profile probably 1839 Hippolyte Bayard This luminous head seems to materialize before our very eyes, as if we are observing the moment in which the latent photographic image becomes visible. Nineteenth-century eyewitnesses to Hippolyte Bayard’s earliest photographs (direct positives on paper) described a similarly enchanting effect, in which hazy outlines coalesced with light and tone to form charmingly faithful, if indistinct, images. These works, which Bayard referred to as essais (tests or trials), often included statues and busts, which he frequently arranged in elaborate tableaux. In this case, he photographed the lone subject (an idealized classical head) from the front and side, as if it were a scientific specimen. The singular object emerges as a relic from photography’s origins and now distant past.. Classical Head in Profile. Hippolyte Bayard (French, 1801-1887). probably 1839. Salted paper print. Photographs

Classical Head in Profile probably 1839 Hippolyte Bayard This luminous head seems to materialize before our very eyes, as if we are observing the moment in which the latent photographic image becomes visible. Nineteenth-century eyewitnesses to Hippolyte Bayard’s earliest photographs (direct positives on paper) described a similarly enchanting effect, in which hazy outlines coalesced with light and tone to form charmingly faithful, if indistinct, images. These works, which Bayard referred to as essais (tests or trials), often included statues and busts, which he frequently arranged in elaborate tableaux. In this case, he photographed the lone subject (an idealized classical head) from the front and side, as if it were a scientific specimen. The singular object emerges as a relic from photography’s origins and now distant past.. Classical Head in Profile. Hippolyte Bayard (French, 1801-1887). probably 1839. Salted paper print. Photographs
SuperStock offers millions of photos, videos, and stock assets to creatives around the world. This image of Classical Head in Profile probably 1839 Hippolyte Bayard This luminous head seems to materialize before our very eyes, as if we are observing the moment in which the latent photographic image becomes visible. Nineteenth-century eyewitnesses to Hippolyte Bayard’s earliest photographs (direct positives on paper) described a similarly enchanting effect, in which hazy outlines coalesced with light and tone to form charmingly faithful, if indistinct, images. These works, which Bayard referred to as essais (tests or trials), often included statues and busts, which he frequently arranged in elaborate tableaux. In this case, he photographed the lone subject (an idealized classical head) from the front and side, as if it were a scientific specimen. The singular object emerges as a relic from photography’s origins and now distant past.. Classical Head in Profile. Hippolyte Bayard (French, 1801-1887). probably 1839. Salted paper print. Photographs by Piemags/PL Photography Limited is available for licensing today.
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Image Number: 6145-29200504Royalty FreeCredit Line:Piemags/PL Photography Limited/SuperStockCollection:PL Photography LimitedContributor:PiemagsModel Release:NoProperty Release:NoResolution:2501×4000
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