Christopher Crabtree in the Suds: "Dear, dear what can the matter be" 1807 Thomas Rowlandson In a washerwoman's parlor, hung with drying laundry, Christopher Crabtree steps into an over flowing tub, causing a woman and figures seated around a table to react with alarm. In a room at the top of a stair, another woman looks in and laughs as a washerwoman talks to a couple by a window. Mounted with four other scenes designed and etched by Rowlandson: 59.533.1022(2-3, 5-6) and title page 59.533.1022(1).. Christopher Crabtree in the Suds: "Dear, dear what can the matter be". The Pleasures of Human Life. Thomas Rowlandson (British, London 1757-1827 London). 1807. Hand-colored etching. Longman, Hurst, Rees and Orme (London). Prints
SuperStock offers millions of photos, videos, and stock assets to creatives around the world. This image of Christopher Crabtree in the Suds: "Dear, dear what can the matter be" 1807 Thomas Rowlandson In a washerwoman's parlor, hung with drying laundry, Christopher Crabtree steps into an over flowing tub, causing a woman and figures seated around a table to react with alarm. In a room at the top of a stair, another woman looks in and laughs as a washerwoman talks to a couple by a window. Mounted with four other scenes designed and etched by Rowlandson: 59.533.1022(2-3, 5-6) and title page 59.533.1022(1).. Christopher Crabtree in the Suds: "Dear, dear what can the matter be". The Pleasures of Human Life. Thomas Rowlandson (British, London 1757-1827 London). 1807. Hand-colored etching. Longman, Hurst, Rees and Orme (London). Prints by Piemags/PL Photography Limited is available for licensing today.
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DETAILS
Image Number: 6145-29245013Royalty FreeCredit Line:Piemags/PL Photography Limited/SuperStockCollection:PL Photography Limited Contributor:Piemags Model Release:NoProperty Release:NoResolution:2663×1792
