Christ and the Woman of Samaria. Artist: Benedetto Luti (Italian, Florence 1666-1724 Rome). Dimensions: 15 × 12 1/8 in. (38.2 × 30.9 cm). Date: 1715-20.The picture shows Christ in conversation with a Samaritan woman (John 4:1-28), signifying the universal message of Jesus's ministry. Its subject relates to that of a larger canvas listed in an inventory taken after the artist's death. However, the high level of finish and surface detail as well as the use of an expensive copper support make it unlikely that the artist made this merely as a preparatory study.Luti enjoyed an outstanding reputation in Rome and this painting may have belonged to Cardinal Pietro Ottoboni (1667-1740), one of the most important patrons and collectors of the day. Museum: Metropolitan Museum of Art, New York, USA.

Brand: Album Archivo
SKU: 4409-17415363
Availability: InStock

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Christ and the Woman of Samaria. Artist: Benedetto Luti (Italian, Florence 1666-1724 Rome). Dimensions: 15 × 12 1/8 in. (38.2 × 30.9 cm). Date: 1715-20.The picture shows Christ in conversation with a Samaritan woman (John 4:1-28), signifying the universal message of Jesus's ministry. Its subject relates to that of a larger canvas listed in an inventory taken after the artist's death. However, the high level of finish and surface detail as well as the use of an expensive copper support make it unlikely that the artist made this merely as a preparatory study.Luti enjoyed an outstanding reputation in Rome and this painting may have belonged to Cardinal Pietro Ottoboni (1667-1740), one of the most important patrons and collectors of the day. Museum: Metropolitan Museum of Art, New York, USA.

SuperStock offers millions of photos, videos, and stock assets to creatives around the world. This image of Christ and the Woman of Samaria. Artist: Benedetto Luti (Italian, Florence 1666-1724 Rome). Dimensions: 15 × 12 1/8 in. (38.2 × 30.9 cm). Date: 1715-20.The picture shows Christ in conversation with a Samaritan woman (John 4:1-28), signifying the universal message of Jesus's ministry. Its subject relates to that of a larger canvas listed in an inventory taken after the artist's death. However, the high level of finish and surface detail as well as the use of an expensive copper support make it unlikely that the artist made this merely as a preparatory study.Luti enjoyed an outstanding reputation in Rome and this painting may have belonged to Cardinal Pietro Ottoboni (1667-1740), one of the most important patrons and collectors of the day. Museum: Metropolitan Museum of Art, New York, USA. by Album/Metropolitan Museum of Art, NY/Album Archivo is available for licensing today.