Chocoloate on the plate

Chocoloate on the plate
SuperStock offers millions of photos, videos, and stock assets to creatives around the world. This image of Chocoloate on the plate by Ingram Publishing is available for licensing today.

Visually Similar More from Artistic Paperweights story

RM
6145-30176047
Paperweight 1840-1865 France. This paperweight uses a traditional glass-making technique called millefiori to great effect. Italian for ìone thousand flowers,î millefiori was first developed in fifteenth-century Venice. In the nineteenth century, French glassmakers revived the technique with a cultural twist. Arranged to evoke traditional French gardens such as the Tuileries in Paris, paperweights like this example brought a little of this landscaping magic indoors.From the late 1840s to early 1860s, French manufacturers of fine glass and crystalósuch as Baccarat (Alsace), Clichy (Paris), and Saint-Louis (Lorraine)ócatered to the vast public enthusiasm for beautiful yet functional desk accessories. Paperweights, which were designed to secure loose papers against drafts, were among their most popular products.. Glass . Baccarat Glassworks
RM
6145-30176156
Paperweight 1840-1860 Saint-Louis. Glass . Compagnie de Saint Louis
RM
4409-17583533
Paperweight. Saint-Louis; France, founded 1767. Date: 1848. Dimensions: 2 13/16 in. Glass. Origin: Saint-Louis. Museum: The Chicago Art Institute, Chicago, USA. Author: Compagnie de Saint Louis.
RM
6145-29815489
Ball bead ca. 1635-1458 B.C. Second Intermediate Period-Early New Kingdom. Ball bead 546896
RM
6145-30175172
Paperweight 1840-1865 France. Glass . Clichy Glasshouse
RM
4443-28732574
Paperweight, 1860-1870, New England Glass Company, 2 x 3 in. (5.1 x 7.62 cm), Glass, United States, 19th century
RM
4443-19536994
Fragment, Tin-glazed earthenware, Fragment of a bowl with tin and cobalt glaze on surface of earthenware. Decoration shows flowers encircled by three lines., France, late 17th century, ceramics, Decorative Arts, Fragment
RM
6145-30176317
Paperweight 1840-1865 Baccarat. Technological improvements to optical scientific instruments in the mid-nineteenth century spurred a veritable obsession across Europe with identifying and classifying the natural world. Amateur botanists were eager to collect and preserve floral specimens, which they intently researched and catalogued. In response to this broad appeal, French glassmakers made paperweights that portrayed the very botanical subjects that were so enthusiastically sought. Many weights represented specimens with horticultural correctness, but others were entirely fanciful creations. Paperweights like this example speak to the periodís fascination with taxonomic systems.From the late 1840s to early 1860s, French manufacturers of fine glass and crystalósuch as Baccarat (Alsace), Clichy (Paris), and Saint-Louis (Lorraine)ócatered to the vast public enthusiasm for beautiful yet functional desk accessories. Paperweights, which were designed to secure loose papers against drafts,
RM
5507-30523972
Christmas balls isolated on white background.
RM
6145-30186760
Paperweight 1840-1865 Baccarat. Technological improvements to optical scientific instruments in the mid-nineteenth century spurred a veritable obsession across Europe with identifying and classifying the natural world. Amateur botanists were eager to collect and preserve floral specimens, which they intently researched and catalogued. In response to this broad appeal, French glassmakers made paperweights that portrayed the very botanical subjects that were so enthusiastically sought. Many weights represented specimens with horticultural correctness, but others were entirely fanciful creations. Paperweights like this example speak to the periodís fascination with taxonomic systems.From the late 1840s to early 1860s, French manufacturers of fine glass and crystalósuch as Baccarat (Alsace), Clichy (Paris), and Saint-Louis (Lorraine)ócatered to the vast public enthusiasm for beautiful yet functional desk accessories. Paperweights, which were designed to secure loose papers against drafts,
RM
6145-58852230
Button of copper with stras, anonymous, c. 1910 Button of copper with stras. Within a six -clumpy edge, an Ajour grid filling is captured, with a stras at the intersections, as a brilliant sharpening. France (possibly) whole: copper (metal). Decoration: Paste (Glass) forging / grinding Button of copper with stras. Within a six -clumpy edge, an Ajour grid filling is captured, with a stras at the intersections, as a brilliant sharpening. France (possibly) whole: copper (metal). Decoration: Paste (Glass) forging / grinding
RM
6145-58853022
Dish, painted with the decor Krokus, Meissener Porzellan Manufaktur, 1896 Dish of painted porcelain. The dish is painted in green and brown. The dish belongs to the so-called crocus service The dish is marked. Float porcelain Dish of painted porcelain. The dish is painted in green and brown. The dish belongs to the so-called crocus service The dish is marked. Float porcelain
RM
6145-30175468
Paperweight 1840-1860 Clichy. Glass . Clichy Glasshouse
RM
6145-29172132
Glass compound eye bead ca. 4th century B.C. Greek, Eastern Mediterranean Semi-opaque pale turquoise green ground; additions in opaque white, translucent cobalt blue and honey brown.Squat spherical shape with rounded ends to vertical hole.Three brown disks, arranged symmetrically around side, each with rosette of seven eyes in white and blue.Intact; dulling, some pitting, and faint creamy iridescent weathering, with one small patch of encrustation.. Glass compound eye bead. Greek, Eastern Mediterranean. ca. 4th century B.C.. Glass. Classical. Glass
RM
4409-17429054
Paperweight. Culture: French, St. Louis. Dimensions: Diameter: 2 3/4 in. (7 cm). Date: ca. 1850. Museum: Metropolitan Museum of Art, New York, USA.
RM
6145-30175469
Paperweight 1843-1860 Birmingham. Glass . George Bacchus & Sons
RM
4409-17399641
Cup plate. Culture: American. Dimensions: Diam. 3 1/2in. (8.9cm). Date: 1835-45. Museum: Metropolitan Museum of Art, New York, USA.
RM
6145-30175726
Paperweight 1840-1865 Clichy. Glass . Clichy Glasshouse
RM
6145-29199018
Plate ca. 1765-70 French, Sceaux Faience, or tin-glazed and enameled earthenware, first emerged in France during the sixteenth century, reaching widespread usage among elite patrons during the seventeenth and early eighteenth centuries, prior to the establishment of soft-paste porcelain factories. Although characterized as more provincial in style than porcelain, French faience was used at the court of Louis XIV as part of elaborate meals and displays, with large-scale vessels incorporated into the Baroque garden designs of Versailles. Earlier examples of French faience attest to the strong influence of maiolica artists from Italy. Later works demonstrate the ways in which cities such as Nevers, Rouen, Lyon, Moustiers, and Marseille developed innovative vessel shapes and decorative motifs prized among collectors throughout Europe. While faience can be created from a wide mixture of clays, it is foremost distinguished by the milky opaque white color achieved by the addition of tin oxide
RM
6145-46831006
CupPlate. Maker, probably by: Boston and Sandwich Glass Works, American, 1826-88
RM
6145-59550200
Sharf of a sign from the wreck of the East Indians Hollandia, Anonymous, 1700 - in Or Before 1743 plate (dishes) Porcelain, plate, type 2; fragm of centre, sim. NG 1980-27H2624h. Netherlands porcelain Second
$40.00
Single Image Download High-Res or Vector
Get with Subscription
Looking for a license?
Click here, and we'll help you find it! Questions? Just ask!
DETAILS
Image Number: 1525-25411596Royalty FreeCredit Line:Ingram Publishing/SuperStockCollection:Ingram PublishingStory:Artistic PaperweightsModel Release:NoProperty Release:NoResolution:4928×3264
Arabica
background|
baked|
bakery|
bean|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|