Chair 1877-79 Herter Brothers The slender proportions and attenuated stiles of this chair proclaim an awareness of progressive British art furniture, especially that of E. W. Godwin (1833-1886), the British architect and originator of the so-called Anglo-Japanese style. It is often compared with a similar chair designed by H. W. Batley (1846-1932) and displayed by the British firm Collinson & Lock at the Philadelphia Centennial Exhibition of 1876. Herter Brothers' interpretation, with a panel of carved flowers across the back and floating blossoms in marquetry on the crest rail, is distinctly its own, however. Lightweight and linear in conception, ebonized to allude to Japanese lacquer, with ring-turned legs, repeated spindles, and elongated uprights, these chairs abstain from specific European historical references in favor of a new aesthetic derived, at least in spirit, from Japanese decorative arts and architecture. Ebonized chairs such as this were typically made in pairs by the fi

Chair 1877-79 Herter Brothers The slender proportions and attenuated stiles of this chair proclaim an awareness of progressive British art furniture, especially that of E. W. Godwin (1833-1886), the British architect and originator of the so-called Anglo-Japanese style. It is often compared with a similar chair designed by H. W. Batley (1846-1932) and displayed by the British firm Collinson & Lock at the Philadelphia Centennial Exhibition of 1876. Herter Brothers' interpretation, with a panel of carved flowers across the back and floating blossoms in marquetry on the crest rail, is distinctly its own, however. Lightweight and linear in conception, ebonized to allude to Japanese lacquer, with ring-turned legs, repeated spindles, and elongated uprights, these chairs abstain from specific European historical references in favor of a new aesthetic derived, at least in spirit, from Japanese decorative arts and architecture. Ebonized chairs such as this were typically made in pairs by the fi
SuperStock offers millions of photos, videos, and stock assets to creatives around the world. This image of Chair 1877-79 Herter Brothers The slender proportions and attenuated stiles of this chair proclaim an awareness of progressive British art furniture, especially that of E. W. Godwin (1833-1886), the British architect and originator of the so-called Anglo-Japanese style. It is often compared with a similar chair designed by H. W. Batley (1846-1932) and displayed by the British firm Collinson & Lock at the Philadelphia Centennial Exhibition of 1876. Herter Brothers' interpretation, with a panel of carved flowers across the back and floating blossoms in marquetry on the crest rail, is distinctly its own, however. Lightweight and linear in conception, ebonized to allude to Japanese lacquer, with ring-turned legs, repeated spindles, and elongated uprights, these chairs abstain from specific European historical references in favor of a new aesthetic derived, at least in spirit, from Japanese decorative arts and architecture. Ebonized chairs such as this were typically made in pairs by the fi by Piemags/PL Photography Limited is available for licensing today.
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